ONE YEAR ON, WITH ALICE REDMAN

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    One year on, we caught up with Alice Redman from Broadcast Intelligence to revisit the trends shaping the indie production landscape.

    As a sponsor of the Broadcast Summit once again this year, we’re continuing the conversation around how the industry is evolving, and the role music plays within it.

    Last time, collaboration was front of mind. This year, the picture is shifting - from new global partnerships to the realities producers are navigating now, and where music continues to support standout content.

    So, what’s changed over the past 12 months? We asked Alice for her latest insights.

    Last year you highlighted collaboration as a key trend in indie TV production. Has that continued in 2026, or are you seeing new shifts emerging?

    Collaboration will always be a trend. But these collaborations change in how they look and who they involve, and new partners and opportunities are always emerging.

    This year at Broadcast Intelligence, we’re really looking at Australia and Canada for partnership opportunities for our subscribers, whereas last year we were thinking more about UK indies grouping together.

    What advice would you give indie producers pitching projects in 2026 that might be different from a year ago?

    That’s a tough one as last year I said knowledge – and that’s still true. Being in the know about trends, industry news, commissioning remits and more is paramount.

    However, I think flexibility and resilience are also key things to consider. Can you make the project differently to make it work for another broadcaster or another budget? Can you team up? What does that/this look like?

    Over the past year, have there been any standout examples of music playing a major role in the success or cultural impact of a show?

    I personally have really noticed a resurgence of All The Things She Said by t.A.T.u following its use in Heated Rivalry, as well as its original score and other songs on the soundtrack.

    What are you most looking forward to at this year’s summit?

    I love the summit – we’ve got over 50 1-2-1 meetings with commissioner and distribution execs, and it’s always so special to see producers pitching and having success all down to a 15-min meeting. We actually did a video about a programme coming off the back of one of these. Watch below!

    The industry really turns out for the Broadcast Summit, we’ve got everyone from the PSBs to the streamers on panels, as well as AI, brand-funded content and more!

    Huge thanks to Alice for sharing her insights.

    With the industry continuing to shift, staying informed, adaptable, and creative remains key. We’re looking forward to seeing these conversations continue at this year’s Broadcast Summit!

    🗓️ 15 April 2026
    📍 1 Wimpole Street, London

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