Epic heavy metal, hybrid orchestral, cool electro pop, mid-tempo funk and driving punk rock.
Co-founder and guitarist of extreme metal band Master’s Call and guitarist in Black Alter, Dave Power’s epic heavy metal smashes together huge drums, aggressive guitar riffs, gnarly, discordant synths and piano, building in intensity to heroic climaxes.
James Brett creates scores to bring worlds to life, from live events to the movies. These hybrid orchestral sports themes are powerful and emotional, enthusiastic and explosive with driving strings, playful piano, punchy brass and thundering percussion.
King of indie anthems Phil Panton and composer for global brands Oliver Wilde’s cool, quirky electro pop features confident female vocals, bending synth bass, brassy synths, electric guitar riffs and organic percussion.
Grammy award-winning saxophonist, composer, and bandleader Tim Garland’s orchestral themes build insistent ostinato with interweaving string motifs, vibraphone, gentle piano, joyful chirping woodwind and orchestral textural patterns.
Rousing, anthemic indie-folk from evocative storyteller Will Cookson and composer/sound designer Max Brodie, featuring warm male lead vocals, acoustic guitar, pipes, piano, rolling drums, brass and strings.
Master of film and TV scores David Tobin and Jeff Meegan are a powerhouse pair. Their slow grooving and mid-tempo New Orleans funk has bright, hot horns, cool organ, guitars and a tight rhythm section, offering bags of swagger to strut your stuff to.
LA based indie artist Lola Rice joins forces with her guitar teacher, LA based film composer Pablo Langaine for a hooky, driving punk rock record with hard-hitting drums, angst-ridden female vocals, guitar power chords and screaming lead lines.
Pioneer of the British acid jazz scene James Taylor brings the funk with 1970s influences, hot horns, cool Hammond, light keys, grooving rhythm section and catchy guitar hooks. Slick, up-tempo and with plenty of retro flair.
