MUSIC

TRADITIONAL JAPANESE INSTRUMENTS

DISCOVER: TRADITIONAL JAPANESE INSTRUMENTS

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    The history of music in Japan is incredibly rich, with some experts classifying traditional Japanese music into over fifty genres. From gagaku to noh and kabuki, many of the genres are characterised by the traditional Japanese instruments that feature in them.

    Traditional Japanese Musical Instruments

    Traditional Japanese music includes everything from solo music to chamber, court, festival and folk music, together with a variety of theatre music. Historically, Japanese folk music was strongly influenced by music from China, with some of its forms being imported from China more than a thousand years ago. Many popular Japanese musical instruments also originated in China and were then adapted to meet local needs.

    The Earliest Music in Japan

    Japan’s earliest classical music style was imported via monks who had been sent to China to study. Gagaku – meaning elegant or refined music – entered Japan around 589 (the term was first recorded in 701) and became popular in the Imperial Court in Kyoto. Up until the 10th century, the music was adapted to Japanese tastes, and new pieces were composed. But since then, the repertoire and the style of performance are almost exactly the same today as they were a thousand years ago.

    Gagaku ensemble has three types of instruments – percussion, wind and string. The percussion section features different sized drums, together with gongs and cymbals. The wind section includes the sho (a mouth organ), three different transverse flutes and the hichirikai, a short, double-reed instrument like an oboe. There are three main stringed instruments, the wagon, a 7-stringed table zither, the gaku-biwa, a 4-stringed lute, and the gaku-so, a 13-stringed table zither that’s a precursor to the koto.

    Three of today’s best-known traditional Japanese instruments date back to that time – the biwa, the koto and the shakuhachi.

    Traditional Japanese Stringed Instruments

    The most popular Japanese stringed instruments are the koto, the biwa and the shamisen.

    Koto

    Historians think the koto was invented around the fifth to the third century BC in China, with the 13-stringed version coming to Japan during the Nara period (710-794).

    This large, wooden instrument is played with picks worn on the fingers, and uses movable bridges placed under each string to change the pitch.

    Of these traditional instruments, the koto is probably the most familiar and the most popular in Japan – it’s regarded as the country’s national instrument. During the New Year holidays Haru no Umi, a duet with the shakuhachi, is often piped in as background music, and during the cherry blossom (sakura) season, the popular tune SakuraSakura is performed on the koto.

    Biwa

    The biwa – a short-necked lute with a pear-shaped body played with a large plectrum – has many variations, but typically has three to five strings, and four to six frets. This is another instrument whose origins are Chinese, and it’s mainly used to accompany narratives and storytelling.

    Taisho-goto

    The taisho-goto is a uniquely-shaped type of koto, similar to a guitar, invented in 1912 when a Japanese musician, Gorō Morita, travelled overseas to perform and study. He was inspired by the variety of Western instruments, while the idea for adding buttons to change the pitch was taken from looking at typewriters! The taisho-goto uses metal strings, strummed with a pick, whilst pressing the key buttons.

    Shamisen

    The shamisen resembles a guitar, with a long, thin neck and a small rectangular body covered with skin. It has three strings, with the pitch adjusted by tuning pegs on the head, like a guitar or violin, but without frets. It’s played with a large triangular plectrum that’s used to strike the strings.

    Sanshin

    ‘Sanshin’ translates as ‘three strings’ and the instrument’s ‘male’ string, middle string and ‘female’ string produce the lowest, middle and highest notes respectively. The sanshin is often compared to the banjo, but it’s a plucked instrument. Made with snakeskin and originating in Okinawa, the sanshin is often played at graduations or other special ceremonies there.

    Traditional Japanese Percussion

    Taiko

    Taiko drums are seen at many summer festivals in Japan, and come in a variety of sizes. The most dramatic are the oo-daiko, which are the large drums positioned at the back of a taiko ensemble.

    It’s said that taiko or wadaiko were used by feudal lords during war times to command troops and raise morale – the drums create an incredibly powerful sound.

    Contemporary composer and taiko drummer Joji Hirota says that, ‘I love the range of the sound dynamics of the taiko drums – it goes from very delicate to really loud! There aren’t many comparable instruments. It’s partly to do with the leather they’re made from; it’s very durable. The resonance hits you directly; it’s able to deliver a lot of energy to the listener.'

    Traditional Japanese Wind Instruments

    Shakuhachi

    The shakuhachi is a flute made of bamboo that’s played by blowing on one end.

    Sometimes called a ‘five-holed bamboo flute’ in English, it has four holes on the front, and one on the back, and is characterised by its distinctively poignant tone. Shakuhachi music was originally used by Zen Buddhists as a spiritual tool for meditation practices known as ‘suizen’, ra-ther than public performances.

    Nohkan

    Used during noh performances, the nohkan is a transverse flute which creates a unique sound that produces a feeling of tension. It’s used to accompany the historical figures and deities in noh theatre who are ‘not of this world’ when they appear on the stage – the nohkan’s high-pitched sound changes the atmosphere for the audience.

    Shinobue

    The shinobue is another transverse flute, which plays an important role in noh and kabuki theatre music, together with Shinto music and traditional Japanese folk songs. There are two types of shinobue, the Uta or ‘song’, which is suited to solo and ensemble playing and the Hayashi or ‘festival’, which is more often used for festival or folk music, as it’s louder and higher-pitched.

    Sho

    One of the key instruments used in gagaku, the sho is a bundle of seventeen bamboo pipes, fifteen of which are fixed together with a metal reed. The instrument produces sound when air is inhaled or exhaled, causing the reeds to vibrate.

    Its sound has been described as ‘a light shining down from heaven’, and it’s said that it also imitates the call of a phoenix, especially as the shape of the sho resembles a bird with its wings raised.

    Explore these different aspects of Japanese music culture with our shamisen shakuhachi and koto tracks.

    Performing Traditional Japanese Music

    In common with martial arts and other traditional Japanese art forms such as the tea ceremony and calligraphy, performing Japanese music has a spiritual character, and so the music is highly ritualised. The musician’s self-expression is minimized, which is the most obvious way in which Japanese performance differs from Western music.

    Only a few genres in Japanese music are purely instrumental – most are songs with an instrumental accompaniment. However, even if there’s more than one singer, all vocal music only has one melodic line, and most songs are accompanied by a single type of instrument.

    Modern Music with Traditional Japanese Instruments

    Various contemporary artists bring traditional Japanese instruments such as shamisen and taiko drums into their music, giving them a whole new life. Often fusing them with Western instruments to give their tracks a unique personality, these are the bands to check out:

    The Yoshida Brothers

    The Yoshida Brothers have brought shamisen music up to date – their song Kodo was used in Nintendo Wii ads in the US. Their style pushes the shamisen’s sound into jazz, experimental music, rock ‘n’ roll and pop by combining it with more modern instruments.

    Kodo

    Elite taiko drummers Kodō (prospective members spend two years in training before joining) regularly tour in Japan and the United States, spending around a third of the year travelling the globe. Their shows also include other traditional Japanese instruments, such as the shamisen, together with traditional dance and vocal performances.

    Wagakki Band

    The Japanese band play rock music including electric guitar and bass fused with wagakki (traditional Japanese instruments), such as shamisen, taiko, koto and shakuhachi.

    Need Music for Your Project?

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    DISCOVER: TRADITIONAL JAPANESE INSTRUMENTS Read More »

    The 23 Best Love Songs From Movie Soundtracks

    Looking for love? Wish your life could be soundtracked like a movie full of romance movie songs? Us too.

    A successful soundtrack for a romantic film has to convince you to fall in love with the characters and their story – and make you believe in both.

    The swooping highs and lows of love need to be expertly matched by a composer or songwriter to make you swoon – whether it’s heart-breaking or heart-warming.

    The Best Love Songs From Movie Soundtracks

    From massive orchestral strings and romantic instrumental music to chart-topping pop and the iconic love songs from movies, these are our favourites:

    1) Shallow - Lady Gaga & Mark Ronson (A Star Is Born, 2018)

    Lady Gaga wrote Shallow with Mark Ronson, Dirty Pretty Things’ Anthony Rossomando and Miike Snow’s Andrew Wyatt.

    As Gaga told Zane Lowe, ‘It’s two people talking to each other and talking about the need and the drive to dive into the deep end and stay away from the shallow area.’

    In A Star is Born, Shallow marks a big emotional moment as the jumping off point for both the relationship between Lady Gaga’s Ally and Bradley Cooper’s Jackson, and the launch of the former’s career, whilst the latter’s begins to slide.

    Gaga’s performance in the stadium scene as the song builds blasts out of the screen, instantly convincing you of Ally’s star power.

    Gaga wrote the song with Mark Ronson, Dirty Pretty Things’ Anthony Rossomando and Miike Snow’s Andrew Wyatt.

    As Gaga told Zane Lowe, ‘It’s two people talking to each other and talking about the need and the drive to dive into the deep end and stay away from the shallow area.’

    If you need any further persuasion that this might be the most romantic song of 21st Century movies, the video of Shallow has had nearly 800 million views…

    2) City Of Stars - Ryan Gosling & Emma Stone (La La Land, 2017)

    La La Land’s soundtrack won the Oscar for Best Original Score – and Best Original Song for the gorgeous City of Stars.

    From the glorious, sweeping opening ensemble tracking shot of LA’s commuters singing and dancing around their cars on the highway to the jazzy, upbeat strains of Another Day of Sun, the scene is set for a technicolour, Old Hollywood romance. As the overture, it establishes the film’s musical style as a blend of the contemporary and the traditional.

    Ryan Gosling, as jazz obsessive Sebastian, famously learned to play the piano from scratch for the part, and the soundtrack takes in everything from a lush orchestral waltz for the magical Planetarium sequence to the dizzy joy of the Summer Montage/Madeline sequence and then the delicate, almost melancholic City of Stars, which first appears as a solo by Gosling, and later as a duet between him and co-star Emma Stone.

    Gorgeous leads, amazing dancing and music, magical, romantic and just a little bit sad – you can see why it’s a modern classic.

    3) I Will Always Love You - Whitney Houston (The Bodyguard, 1992)

    In terms of movie love songs, they don’t come much bigger than I Will Always Love You.

    The soundtrack to The Bodyguard became the biggest-selling of all time (an estimated 42 million copies sold worldwide), helped by Whitney Houston’s cover of the Dolly Parton classic spending 14 consecutive weeks as Billboard’s No. 1 song on the Hot 100 Singles chart and 10 weeks at No. 1 in the UK.

    The film may have made a movie star out of Whitney Houston (playing singer/actress Rachel Marron), but you’ve actually got co-star Kevin Costner (aka Frank, her bodyguard) to thank for I Will Always Love You.

    The final song was slated to be a cover of Jimmy Ruffin’s What Becomes of the Broken Hearted, but as production got underway, a Paul Young cover of the song was featured in Fried Green Tomatoes. Costner, a country fan, suggested the Dolly Parton cover as a replacement – and that Huston sang the introduction a capella to add more emotion.

    Looking For Inspiration for a Romantic Soundtrack? Check Out These Top 5 Tracks From Our Catalogue:

    LoveMax Brodie

    Why Don’t We Fall in LoveCraig Hardy, Carolyn Jordan and Gifty Dankwah

    Fall in Love AgainLincoln Grounds and Thomm Jutz

    Seconds Away from LoveChris Dececio and Jamie Elder

    4) It Had to Be You - Harry Connick Jr (When Harry Met Sally,1989)

    Is When Harry Met Sally the best romcom of all time? We say yes, and Harry Connick Jnr’s cover of It Had to Be You won him a Grammy Award for Best Jazz Male Vocal Performance.

    Norah Ephron’s brilliantly-drawn Harry and Sally might seem destined never to get together, but the lyrics sum up exactly why the opposites eventually attract: ‘For nobody else gave me a thrill/For all your faults I love you still’.

    It’s quite spiky, for a love song, but captures loving someone when you know all their infuriating quirks as well as their loveable ones.

    5) She - Elvis Costello (Notting Hill, 1999)

    Another cover, this time of She, Charles Aznavour’s classic from 1974. Costello’s version soundtracks ordinary chap Will (Hugh Grant) and global superstar Anna (Julia Roberts’) unlikely romance in Richard Curtis’s Notting Hill.

    Aznavour’s version was originally used in the film, but American test screening audiences didn’t respond well to it, so Curtis brought in Costello to record the cover.

    6) Falling Slowly - Glen Hansard, Marketa Irglova (Once, 2007)

    Girl meets Boy in Dublin and helps him to put together a demo of his music as they fall in love, portrayed through their songs in indie hit Once.

    The love song Falling Slowly has a dash of Damien Rice in its stripped-back arrangement of piano and guitar and in the melding of Glen Hansard and Marketa Irglova’s voices – which took them to a win for the 2008 Academy Award for Best Original Song.

    7) Kissing You - Des'ree (Romeo + Juliet, 1996)

    Des’ree appears in Baz Luhrmann’s colourful, kinetic reimagining of Romeo + Juliet, performing Kissing You as the lovers catch sight of each other for the first time during the ball at the Capulets’ mansion.

    It’s a beautifully simple piano and soaring strings ballad that’s probably accompanied thousands of brides down the aisle since it was released in 1996.

    8) Kiss Me - Sixpence None The Richer (She's All That, 1999)

    For more teen romance, check out super-sweet Kiss Me by Sixpence None the Richer on the She’s All That soundtrack.

    A classic romcom, Laney Boggs (Rachel Leigh Cook) is transformed from geeky art student into potential prom queen with the help of popular jock Zach (Freddie Prinze Jr). Kiss Me is the backdrop to the Big Reveal of Laney post-makeover.

    9) Up Where We Belong - Jennifer Warnes & Joe Cocker (An Officer and a Gentleman, 1983)

    Joe Cocker and Jennifer Warnes' Up Where We Belong played a crucial role in making audiences go wild for the super-romantic ending of An Officer and a Gentleman, when Richard Gere’s character – in full Naval uniform – comes into his girlfriend’s (Debra Winger) factory workplace and literally sweeps her off her feet.

    Writer Douglas Day Stewart said that in the first edit, everyone laughed at the ending. Then director Taylor Hackford put Up Where We Belong over it, ‘and when that version of the film was shown to an audience, they went crazy. We realised then that it worked.’

    10) It Must Have Been Love - Roxette (Pretty Woman, 1990)

    It’s got a banging soundtrack, some beautiful frocks, much-repeated lines (‘Big mistake. Biiiig. Huge’), Richard Gere (again) and Julia Roberts’ megawatt smile.

    The sexual politics may be questionable, but Pretty Woman ends with Vivian refusing to be Edward’s mistress and getting the fairytale she wants, seemingly on more equal terms (Edward: ‘So what happens after he climbs up and rescues her?’ Vivian: ‘She rescues him right back.’)

    If, however, you haven’t got your ‘fairytale’ ending and you’re suffering from a broken heart, crank up Roxette’s It Must Have Been Love – acclaimed by The Guardian as ‘the greatest 80s power ballad of them all, and perhaps the greatest breakup song…

    It follows the old Motown blueprint in perfectly blending ecstasy [musical] with agony [lyrical].

    11) Unchained Melody - Righteous Brothers (Ghost, 1990)

    Nobody thought that pottery was sexy till Ghost put that sequence of Demi Moore throwing a pot with The Righteous Brothers’ Unchained Melody.

    The song was originally written for a movie about life in prison, Unchained, way back in 1955.

    From its humble origins, and post-Ghost, in 1999, the American Society of Composers, Authors and Publishers called it one of the 25 most-performed songs and musical works of the entire 20th Century.

    12) (I've Had) The Time Of My Life - Bill Medley & Jennifer Warnes (Dirty Dancing, 1987)

    Dirty Dancing's soundtrack is a clever combination of period pop with smashes like co-star Patrick Swayze’s She’s Like the Wind, Eric Carmen’s Hungry Eyes and Bill Medley and Jennifer Warnes’s Oscar-winning (I’ve Had) The Time of My Life gave the soundtrack broad appeal.

    The duet expertly mirrors Baby and Johnny’s dance – and the lyrics, ‘I’ve had the time of my life/And I owe it all to you’ fits the summer romance plot perfectly.

    The soundtrack sold over 32 million copies, spent 18 weeks at No. 1 in the Billboard 200 album chart and went multi-platinum. Thus proving beyond all doubt that nobody puts Baby in a corner.

    13) Come What May - Nicole Kidman & Ewan McGregor (Moulin Rouge! 2001)

    ‘I believe in truth, beauty, freedom, and above all things, I believe in love’, declares impoverished writer, dreamer and grade-A Romantic Christian (Ewan McGregor) in Moulin Rouge!

    The first musical nominated for a Best Picture Oscar in 10 years, director Baz Luhrmann’s fizzing fin de siecle romance throws everything at its soundtrack, from an operatic version of Queen’s The Show Must Go On to a sample of Chamma Chamma from the Hindi movie China Gate, via a quick blast of The Sound of Music and 12 songs in the Elephant Love Medley alone.

    With kinetic editing that several critics compared with music videos, writer Christian, showgirl and courtesan Satine (Nicole Kidman) and the rest of the Parisian cabaret crowd whizz through so many pop classics it took two years to clear all the rights.

    David Bowie’s Nature Boy gives way to the frenetic stomp of Nirvana’s Smells Like Teen Spirit and there’s a memorably bonkers turn from Jim Broadbent sashaying around to Madonna’s Like a Virgin, whilst The Police’s Roxanne is given a sinister tango workover. Spectacular, spectacular, indeed.

    However, Christian and Satine’s gorgeous love song, Come What May unfortunately missed out on a Best Song nomination at the Oscars, because it was originally written for – but not used in – Luhrmann’s Romeo + Juliet.

    14) Don't Stop Me Now - Queen (Shaun of the Dead, 2004)

    The first ‘rom-zom-com’ may have seemed an unlikely hit on paper, but is fabulous fun, although interestingly, Pegg has said that while the film is a romantic comedy, ‘People always think it’s a romantic comedy about Shaun and [girlfriend] Liz; it’s not. It’s a romantic comedy about Ed and Shaun.’

    The film ends, after all, with Shaun and his now zombified mate playing video games in a shed, accompanied by Queen’s You’re my Best Friend, offering a bit of bromance for V-Day.

    15) Iris - Goo Goo Dolls (City Of Angels, 1998)

    Nicholas Cage plays an angel sent to help humans make their transition to the afterlife – but when he falls in love with a woman (Meg Ryan), he has to choose between love and eternal life.

    Iris by the Goo Goo Dolls encapsulates his struggle – the band’s frontman, John Rzeznik said that ‘I was thinking about the situation of the Nicholas Cage character. This guy is completely willing to give up his own immortality, just to be able to feel something very human. And I think “Wow! What an amazing thing it must be to love someone so much that you give up everything to be with them.” That’s a pretty heavy thought.’

    16) Love Is All Around - Wet Wet Wet (Four Weddings and a Funeral, 1994)

    Richard Curtis approached Wet Wet Wet about covering a song for Four Weddings – the band had their pick of three songs, the other two being Gloria Gaynor’s I Will Survive, and Barry Manilow’s Can’t Smile Without You. Marti Pellow decided that they could make Love is All Around their own.

    It proved the right choice: the song was Number One in the UK charts for 15 weeks, and spent so long knocking around the Top 75 (20 weeks), that the band eventually took the decision to delete the record from sale as so many people were fed up of hearing it (it was apparently still selling 120,000 copies a week). It’s sold 1.9 million copies in the UK, making it the best-selling love ballad of all time.

    Not bad for a song which Reg Presley of The Troggs said that he knocked out in 20 minutes, at home with his family in 1968…

    17) Kiss From A Rose - Seal (Batman Forever, 1995)

    Director Joel Schumacher chose Seal’s Kiss from a Rose for the Batman Forever end credits, propelling it to Grammy wins for Song of the Year, Record of the Year and Best Male Pop Vocal Performance in 1996.

    The song is a total belter and has appeared everywhere from Lip Sync Battle to It’s Always Sunny in Philadelphia, Bones and animated animal X-Factor caper Sing.

    18) La Valse d'Amélie - Yann Tiersen (Amélie, 2001)

    Whimsical French comedy-romance Amélie has a soundtrack inspired by its heroine’s unique, quirky character.

    Director Jean-Pierre Jeunet had Michael Nyman in mind to write the music, but a chance listen to a CD by French musician Yann Tiersen led to the film’s eclectic blend of toy piano, banjo, mandolin, accordion, melodica and vibraphone.

    La Valse d’Amélie is a joyous accordion waltz that instantly conjures up Paris’s cobbled streets. A waltz needs two people and the theme chimes with Amélie playing hide and seek with her ‘other half’ and also demonstrating her emotional interactions with the film’s characters, as she seeks to secretly bring happiness to strangers wherever she goes.

    19) You Make My Dreams Come True - Hall & Oates (500 Days of Summer, 2009)

    It’s a story of boy meets girl, but as hopeless romantic Tom (Joseph Gordon Levitt) tells you from the start, ‘this is not a love story.’

    For sheer put-a-skip-in-your-step happiness, though, the sequence where Tom dances, high fives and beams his way through the park to Hall & Oates’ 80s classic You Make My Dreams takes some beating.

    There are fountains, there’s a marching band, there are cartoon bluebirds, there’s old-school Hollywood musicals choreography – it exactly conjures up the giddy joy of falling in love in one two-minute scene.

    20) April Come She Will - Simon & Garfunkel (The Graduate, 2009)

    Interestingly, all the Simon and Garfunkel tracks used in the film were originally put there as placeholders, as the duo were supposed to be providing new tracks, but failed to deliver.

    Deciding that the songs (The Sound of Silence; Scarborough Fair/Canticle, The Big Bright Green Pleasure Machine and April Come She Will) perfectly underscored the emotions of the scenes, Nichols left them in.

    But what fans remember as the film’s most iconic track, Mrs Robinson, doesn’t actually appear in its full version, as it hadn’t been completed in time.

    Nichols needed a song for when Ben is racing to break up his girlfriend Elaine’s impending marriage. Garfunkel told Nichols that Simon was working on a song called ‘Mrs Roosevelt’; one name change later, and you’ve got a future classic.

    Except, there was no verse, so in the film, you hear, ‘doo doo doo doo doo doo doo doo doo doo doo doo doo doo’ – as Garfunkel confessed, ‘that’s called a song not written yet – only the chorus was there.’ The final version was released as a single in 1968, and appeared on the duo’s next studio album, Bookends.

    21) Baby You're My Light - Richard Hawley (Nick and Norah’s Infinite Playlist, 2008)

    New York teenager Nick (Michael Cera) is heartbroken after a recent breakup and is still making mix CDs for his ex-girlfriend to try to win her back (aah, the nostalgia of mix CDs.)

    Nick’s heartless ex bins the CDs, which Norah (Kat Dennings) finds and they bond – over the course of a single night - through their shared musical obsessions.

    Amongst tracks from Devendra Banhart, Vampire Weekend and Band of Horses, Richard Hawley’s Baby You’re My Light is understatedly lovely.

    22) Take My Breath Away - Berlin (Top Gun, 1986)

    Berlin’s Take My Breath Away is the 80s power ballad.

    The song was written by Giorgio Moroder, with lyrics by his frequent soundtrack collaborator Tom Whitlock and used over the romantic scenes between Tom Cruise and Kelly McGillis.

    23) I Don't Want to Miss a Thing - Aerosmith (Armageddon, 1998)

    If you’re feeling in the need for OTT with a side of cheese, then whack Aerosmith’s I Don’t Want to Miss a Thing on the Spotify playlist. Armageddon starred Steven Tyler’s daughter, Liv. U2 were originally slated to perform the song – the idea for Aerosmith performing it only came about after Liv was cast.

    The song was written by Diane Warren, and inspired by a TV interview where actor James Brolin said to his wife Barbra Streisand that he didn’t want to fall asleep, ‘’Cause then I’ll miss you.’

    Warren had originally thought the song would be sung by a diva like Celine Dion, but ‘for a guy to sing that song… it just makes it more compelling. That’s what women never usually hear their boyfriends or husbands saying, right?’

    It’s got power, it’s got passion, you can belt it out at karaoke – as Big Songs go, it’s the perfect movie love song.

    Need Music for Your Project?

    At Audio Network we create original music, of the highest quality, for broadcastersbrandscreatorsagencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!

    The 23 Best Love Songs From Movie Soundtracks Read More »

    HISTORY OF JAPANESE MUSIC

    HISTORY OF JAPANESE MUSIC

    Contents
      Add a header to begin generating the table of contents

      The history of Japanese music is rich and varied, from its traditional folk music to JPop’s global takeover.

      Here’s our overview of the different forms and instruments used in traditional Japanese music, many of which are showcased in our Sounds Of Japan collection.

      READY TO FIND YOUR PERFECT SOUNDTRACK?

      Classical Japanese Music

      Historically, Japanese folk music was strongly influenced by music from China, with some of its forms being imported from China more than a thousand years ago.

      Many popular Japanese musical instruments originated in China and were then adapted to meet local needs.

      HISTORY OF JAPANESE MUSIC

       

       

       

       

       

       

       

       

       

      Traditional Japanese Music

      Traditional Japanese music usually refers to Japan’s historical folk music. Two forms are recognised as the oldest forms  – shōmyō, or Buddhist chanting, and gagaku, or theatrical court music.

      Shōmyō & Gagaku

      Shōmyō is a ritual music sung in a Buddhist ceremony by a group of Buddhist monks – literally translated, the word ‘shōmyō’ combines the characters for ‘voice’ and ‘wisdom’.

      Gagaku is the oldest of Japan’s musical traditions and includes dances and songs in two styles – kigaku, which is instrumental music, and seigaku, a form of vocal music.

      Kabuki & Noh

      There are several Japanese dramatic forms in which music plays a significant role. The main ones are kabuki and noh.

      Kabuki is known for its highly stylised dancing and singing, together with its elaborate make-up (sported by a predominantly male cast).

      Noh is a form of classical Japanese musical drama which has been performed since the 14th century. Noh is often based on tales from traditional literature, with a supernatural being transformed into human form as a hero narrating the story – usually involving a mask being worn.

      Noh has been dubbed ‘Japanese opera’ and is a ‘chanted drama’, but the singing is dependent on a limited tonal range. The music has many blank spaces (ma) between the sounds; the negative blank spaces are in fact considered to be the heart of the music.

      The accompaniment is provided by a hayashi ensemble of three drummers and a flautist.

      Instrumental Japanese Music

      Traditional Japanese music is meditative in character, with highly ritualised performance – sharing much in common with martial arts, and other Japanese art forms such as the tea ceremony and calligraphy.

      The music often looks to represent natural sounds, and the sounds of life, through percussion, wind and stringed instruments.

      An interesting feature of classical Japanese music is its sparse rhythm and absence of regular chords. All of the rhythms are ‘ma’-based and silence is an important part of the songs.

      HISTORY OF JAPANESE MUSIC

       

       

       

       

       

       

       

       

       

      Japanese Music Instruments

      The key instruments used to play Japanese music are:

      • Shamisen
      • Shakuhachi
      • Koto

      The shamisen resembles a guitar, with a long, thin neck and a small rectangular body covered with skin. It has three strings, with the pitch adjusted by tuning pegs on the head, like a guitar or violin.

      It’s played with a large triangular plectrum that’s used to strike the strings. The shamisen makes some of the best japanese violin music.

      Two women wearing traditional Japanese dress playing the Shamisen instrument

      Photo Credit: http://www.flickr.com/photos/joi/1284233442

      The shakuhachi is a flute made of bamboo that’s played by blowing on one end.

      Sometimes called a ‘five-holed bamboo flute’ in English, it has four holes on the front, and one on the back, and is characterised by its distinctively poignant tone.

      A collection of shakuhachi flutes

      Photo Credit: https://corneliusboots.com/

      Historians think the koto was invented around the fifth to the third century BC in China, with the 13-stringed version coming to Japan during the Nara period (710-794).

      This large, wooden instrument is played with picks worn on the fingers, and uses movable bridges placed under each string to change the pitch.

      Of these traditional instruments, the koto is probably the most familiar and popular. During the New Year holidays ‘Haru no Umi,’ a duet with the shakuhachi, is often piped in as background music, and during the cherry blossom (sakura) season, the popular tune ‘Sakura, Sakura’ is performed on the koto.

      Explore these different aspects of Japanese music culture with our shamisen, shakuhachi and koto tracks.

      Traditional Japanese Artists

      Many of the popular musicians playing the traditional  music of Japan release albums and tour globally, bringing their music to a Western audience.

      For a great introduction, have a listen to:

      The Yoshida Brothers

      Their debut album sold over 100,000 copies and since then they’ve toured the US and recorded an album in Los Angeles, attracting international fans.

      Their music was also used in the TV commercial for Nintendo’s Wii. Their style pushes the shamisen’s sound from traditional music into jazz, experimental music, rock ‘n’ roll and pop.

      The Nenes

      The Nenes (‘sisters’ in Okinawan) are four women who sing Okinawan folk songs, performing on traditional instruments and in traditional costumes and reflecting the history of Japanese music.

      Ryuichi Sakamoto recorded with them and took them on a European tour in the mid-1990s, which gave their music global recognition.

      Kodō

      Kodō are one of the elite taiko drumming groups and have been a major force in the post-World War II revitalisation of taiko drumming, regularly touring in Japan and the United States.

      Their shows also include other traditional Japanese instruments, such as the shamisen, together with traditional dance and vocal performances.

      We have a wide variety of Japanese music in our catalogue – from the traditional to the contemporary sounds of J-pop. One of our featured composers and artists is Joji Hirota.

      Born in Hokkaido, Joji is a multi-percussionist, shakuhachi player, singer and Taiko drummer.

      He founded Joji Hirota and the Taiko Drummers and was awarded the Ambassador’s commendation award by the UK Japanese Embassy for his contribution to musical activity outside of Japan in recognition for his achievements in a three-decade long career.

      Where to Download Japanese Music

      Looking for Japanese music? Audio Network’s Sounds Of Japan series showcases high quality, authentic music from shamisen-based rock to JPop, and delicate yet powerful Japanese instrumental performances.

      Need Music for Your Project?

      At Audio Network we create original music, of the highest quality, for broadcastersbrandscreatorsagencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!

      HISTORY OF JAPANESE MUSIC Read More »

      10 MUSICIANS and THEIR STAGE NAMES

      10 MUSICIANS & THEIR STAGE NAMES

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        READY TO FIND YOUR PERFECT SOUNDTRACK?

        Within the music industry, it is not an uncommon phenomenon that artists adopt good stage names or performance personas.

        The reasoning behind this can be varied; some artists wish to create a bit of anonymity, others to create a name that will make them stand out from the crowd, and others, well, you don’t hear of many rappers called Aubrey, do you?

        We take a look at 10 of our favourite name transformations and the stories behind them.

        stage names

        10 Musicians & Their Stage Names

        1. Bruno Mars – Peter Gene Hernandez

        Bruno – or should we say Peter – as one of the best-selling artists of all time, having sold over 130 million records worldwide seems as good a place as any to start playing the name game.

        The stage name Bruno, supposedly originated from a childhood nickname he adopted due to his father saying he resembled the pro wrestler Bruno Sammartino…look him up.

        bruno mars

        2. Eminem – Marshall Mathers 3

        We won’t even bother spelling out the logic behind Em-in-em’s stage name.

        3. Lady Gaga – Stefani Joanne Germanotta

        Lady Gaga is undoudtedly at the forefront of the stage persona game.

        The inspiration behind Stefani’s stage persona is said to have come from the song ‘Radio Ga-Ga’ by Queen. The name was actually first introduced by her manager at the time – who was also her boyfriend – Rob Fusari, however it was Stefani who later added her own touch to the stage name by adding the ‘Lady’.

        According to Flybe magazine, Fusari actually sued Gaga for using this stage name after they no longer continued to work together. Sounds like they might have had a bad break up too.

        lady gaga

        4. Drake — Aubrey Drake Graham

        ‘Aubrey’ doesn’t exactly give off the best rap vibes.

        5. Snoop Dogg — Calvin Broadus Jr.

        Not only did Snoop decide ‘Calvin’ wasn’t quite right for a stage name, back in 2012, the ‘dogg’ evolved into a lion for the release of his debut reggae album.

        6. Frank Ocean – Christopher Edwin Breaux

        Frank Ocean has always been a fairly elusive character on the music scene. So it’s not too surprising that Frank – or Christopher – decided to adopt a stage persona.

        However, after a large segment of his career dedicated to staying in the shadows while writing for other artists, his emergence into the public spotlight could hardly be deflected with the rapid success of his first album ‘Channel Orange’ which soon made it to Billboard’s Number 1 spot.

        The origins of Ocean’s name were reportedly taken from Frank’s love of the 2001 film ‘Ocean’s Eleven’.

        7. Gene Simmons – Chaim Witz

        Chaim is a traditiional Hebrew name that Gene decided to shed shortly after moving to the States from Israel, as he and his mother thought Gene would be easier to pronounce.

        gene simmons

        8. Shania Twain – Eileen Regina Edwards

        Country Queen Shania Twain holds the legacy of being the best-selling female artist of all time in country music. However, many of her fans are unaware that her real name is actually Eileen.

        Popular belief around the origins of Shania’s name are that the name comes from the Ojibwe or Cree word for ‘on my way’. However, as her biographer Robin Eggar has exasperatedly repeated, there is no such Obijwe or Cree word that takes that meaning.

        9. Elton John – Reginald Kenneth Dwight

        Reportedly, Elton John chose his stage name by combining the names of saxophonist Elton Dean and LongJohn Baldry.

        elton john

        10. Stormzy – Michael Omari

        Stormzy’s rapid rise to fame through YouTube was one that will surely go down in rap history when his freestyle ‘Shut Up’ attracted 17 million views in 2015, nudging him to realease the track offically.

        Stormzy is not the only stage name Michael has adopted either, he has also been known to go by Wicked Skengman, Big Mike, Stiff Chocolate and The Problem.

        Stage Name Generator

        Want to have your own stage name? Check out our stage name generator below and see what you end up with!

        stage name generator

        In the Mood for More Tunes?

        Check Out Our New Releases Now!

        spotify

        Need Music for Your Project?

        At Audio Network we create original music, of the highest quality, for broadcastersbrandscreatorsagencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!

        This article was updated 14/03/2024.

        10 MUSICIANS & THEIR STAGE NAMES Read More »

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