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Greenpeace have brought some heavyweight voice talent on board for their latest campaign film, highlighting the shocking extent of the threat to ocean health, and the dangers and stresses our oceans are facing.
In the animation, Camila Cabello voices an eel, trying to help Jane Fonda’s determined flying fish to reach safety and clean water – it feels like a very bleak spin on Finding Nemo. The pair encounter plastics, deep sea mining, industrial fishing nets and dead fish on their journey. The flying fish ends up on her own, after mistakenly following debris that looks like the eel, before being rescued and helped out of the murk to the sanctuary of clean waters by a friendly whale, voiced by Mission Impossible actor Simon Pegg, a longtime Greenpeace supporter.
The ad finishes with Pegg’s voiceover, highlighting, ‘Our oceans are under threat and time is running out. World leaders finally agreed a Global Ocean Treaty that can protect the oceans, our home. Now they must use this Treaty to create ocean sanctuaries where marine life can recover and thrive.’
Pegg said of his involvement, ‘The oceans are important to everybody. They’re such a vast and integral part of the planet’s survival mechanism. It would be an act of utmost stupidity to let them go to ruin, and yet a lot of the time we seem to be allowing practices which do absolutely that. So it’s really important to get behind causes which look to conserve and protect our ocean and all the life that lives in it.’
Fiona Nicholls of Greenpeace’s Protect The Oceans campaign said: ‘Ocean sanctuaries provide relief from the growing threats that sea creatures face from climate breakdown, pollution and overfishing. But as well as giving wildlife and ecosystems a fighting chance, they sustain the billions of people who still get nourishment and a livelihood from the ocean.
‘Greenpeace is thrilled to have some of the world’s best-loved actors lend their voices to this critical issue that affects us all.’
A global study by Greenpeace details how ocean warming, acidification, pollution and the emerging threat of deep-sea mining are putting ocean ecosystems under tremendous strain. The animated short is part of the promotion for this report.
The refuge that the whale, eel and flying fish find is a protected ocean sanctuary, which can be established under the Global Ocean Treaty. Currently less than 1% of the high seas have this kind of protection; to reach a ‘30x30’ (i.e. protecting 30% of the world’s oceans by 2030) target, Greenpeace estimates around 11 million sq km of ocean must be protected every year. To put that figure into perspective, it’s more than the surface of the UK and Canada combined.
The Team Dive In
The short film was produced by Bristol-based studio Rumpus Animations. Stef Bowskill, the company’s Creative Producer, told AnimationUK.org that, ‘We were ambitious with our pitch and pushed our character-driven ideas, because it’s what we do best. Hand-drawn animation is, for us, the best way to get the most expressive results, and it’s wonderful that we were recognised by such a high-profile organisation. We’re really proud of the message behind the animation and the twists and turns of the story.’ However, even Stef confesses, ‘We never expected the characters to be voiced by such huge actors!’ She praised the energy they brought to the roles, which meant they were ‘a joy to animate.’
The hard-hitting film is supported by a haunting soundtrack with some heavy percussive blasts and metallic-sounding strikes at particularly dramatic moments, followed by more hopeful, spiritual gong sounds at the end.
All in all, this is a highly emotive and effective campaign film that uses the best in animation to tell its story.
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At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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There are any number of reasons why people may listen to podcasts. They keep the lonely, comforted; the inquisitive, stimulated; the bored, entertained; the curious, informed. They offer different perspectives and opinions from across the globe and they often explore a vast array of entertaining and life-changing topics. Plus, they feature ads that are hand-picked to be relevant to the listener.
If you are a podcaster who’s not taking advantage of podcast advertising, why not? Podcast advertising can educate listeners on products, experiences and events they may be interested in and they’ll make you some money. On the other hand, if you’re an advertiser who hasn’t considered podcast advertising, we believe you’re missing a trick. In the UK alone, there are around 15.6 million podcast listeners (according to statista.com). That’s almost a quarter of the population!
Below, we take you through everything you may want to know about podcast advertising, including podcast advertising rates and podcast advertising statistics.
Everything You Need to Know About Podcast Advertising
What is Podcast Advertising?
Let’s start with the basics: what is podcast advertising? Just like a radio advert, a podcast advert relies on audio to advertise a product. Unlike a radio advert, though, there’s a high chance a podcast listener will engage with the entire advert. Why? Well, because the listener won’t be able to switch to another podcast whilst the ads play out – something we’ve all done before when listening to the radio.
As you can imagine, there are different types of podcast advertising:
Pre-Roll Podcast Ads– A pre-roll podcast advert plays out before the podcast begins. The main advantage of a pre-roll podcast is that the audience is likely to absorb the information, as they’re ready to listen. The main disadvantage of a pre-roll podcast advert is that it could potentially encourage a percentage of people to stop listening to the podcast before it even begins.
Mid-Roll Podcast Ads – A mid-roll podcast advert plays out during the middle of the podcast. The main advantage of a mid-roll podcast ad is that it’s unlikely to be skipped, as it helps break the podcast into two easy-to-digest segments. The main disadvantage of a mid-roll podcast advert is that it can feel a little intrusive and potentially disturb the podcast’s flow.
Post-Roll Podcast Ads – A post-roll podcast plays out once the podcast episode is over. The advantage of a post-roll podcast advert is that it doesn’t distract listeners from the podcast’s purpose. The disadvantage of a post-roll podcast advert is that people may stop listening to the podcast before they have the chance to hear the ad.
Native Podcast Ads – Native podcast adverts (also known as ‘live read’ ads, ‘host read’ ads and ‘baked in’ ads) are read out by the podcaster and often come in the form of a shoutout. The main advantage of a native podcast ad is, as the ad’s read out by the podcaster, it’s unlikely to disturb the podcast’s flow. The main disadvantage is that some may question a podcaster’s intentions if they include native podcast ads. It may lead the listener to wonder whether all opinions are, in fact, dictated by fiscal matters.
Podcast Statistics
To understand podcast advertising, it’s important to be clued-up about the podcast industry. Advanced podcast analytics and advertising platform Backtracks released some of its most significant findings in 2018, revealing nationwide results about listener demographics and activity. Here are the UK-based statistics worthy of mention:
63% of listeners are male
67% of people listen to podcasts on their smartphone
39% of people listen to podcasts at home
The majority of people who listen to podcasts are between 25-34 years old (21%)
Most consumers start listening to podcasts between 8:00–8:15 am
Furthermore, Backtracks provided some insight into podcast behaviour in other destinations across the world. Here are some of the most important stats to bear in mind:
The United States of America – 44% of the population have listened to a podcast at some point in their lives. Most regular podcast listeners fall into the 35–54 years group (36%), closely followed by the 18-24 years group (34%). An average of 6 hours and 37 minutes is spent listening to podcasts weekly
Canada – 28% of the population are monthly consumers of podcasts, 54% of these people are men. Over half of these people (53%) have a graduate or advanced degree. On average, Canadians listen to 6 hours and 4 minutes of podcasts per week
Australia – Over in Oz, 22% of people who listen to podcasts are aged between 12-24 and 22% are aged between 25-54. 79% of Australians prefer to listen to their podcasts on their smartphones. 74% prefer to listen to their podcasts at home
Podcast Advertising Statistics
In 2016, Midroll – the world's largest podcast advertising network – conducted a study of 11,123 podcast listeners to explore the impact of podcast advertising. Here are the main findings:
90% of listeners said they listened to the ads of the target brand
80% of listeners were able to name at least one brand advertised in an episode
67% of listeners were able to name a specific product feature or promotion
51% of listeners were somewhat or much more likely to buy from the target brand
In 2018, Midroll commissioned Nielsen to conduct another study for eight national brands represented by the podcast advertising network. Here are the noteworthy findings from that study:
Podcasts generate up to 4.4x better brand recall than widely used digital advertising forms (e.g. scroll ads, static ads and pop-up ads)
Of listeners exposed to an ad, 61% said they were likely to buy (a 10% lift from 2016)
118% more people who heard a podcast ad were more likely to buy a new flavour for a national soft drink brand
As you can see, the conclusion of Midroll’s studies is podcast advertising is extremely effective and can often lead to tangible results.
What are the Podcasting Advertising Rates?
The rate a podcaster charges an advertiser usually depends on the size of their listenership. In 2019, Advertise Cast – a premium podcast advertising network – reported the average rate for a podcast ad was $18 for a 30-second ad and $25 for a 60-second ad, per 1000 listeners.
Also in 2019, The UK Domain released a guide for podcasters to help them figure out their pricing strategy. Here are their guidelines:
A 15-second pre-roll should cost around $18 per 1000 listeners.
A 60-second mid-roll should cost around $25 per 1000 listeners.
A 30-second post-roll costs $10 per 1000 listeners.
Podcast Advertising Networks and Agencies
There are plenty of podcast advertising companies dedicated to connecting brands to podcasts who are interested in integrating ads into their episodes. Here are five of the most popular podcast advertising networks globally:
Midroll
Midroll is a podcast advertising network (founded in 2010) that works with some of the most esteemed podcasters on the planet – including Conan O’Brien, Kid Fury and Crissle West and Bethenny Frankel – and world-class advertisers, such as HBO, Squarespace, Amazon and Dunkin’ Donuts.
The California-based agency allows advertisers to select from hundreds of podcasts; on the flip side, it also allows podcasters to select the advertisers they partner with carefully.
AdvertiseCast
AdvertiseCast is a Wisconsin-based premium podcast network that boasts more than 1,700 podcasts on their books (categorised by genre) and works with over 1,200 advertisers. The self-described podcast fanatics stand out because they’re results-driven: they carefully manage each advertising campaign they handle. This might explain why they have four different offices: one in Oshkosh, one in NYC, one in Charleston and one in Boston.
ADOPTER Media
After leaving his role as Podcast Advertising Sales & Director of Marketing at TwiT (the world’s largest tech podcast network), Glenn Rubenstein set up his own podcast advertising agency, ADOPTER Media. To date, the company has placed over eight figures in podcast ads for brands such as LinkedIn, KIND snacks, Fossil and Netgear. It prides itself on working closely with advertisers and marketers to research, plan, launch and manage successful podcast ad campaigns.
Authentic
With 15+ years of experience, Authentic (a Podtrac company) knows a thing or two about podcast advertising – naturally, this is reflected in their results. They are selective about the podcasts they work with – providing ads for popular podcasts including The Peter Schiff Show, Don’t Keep Your Day Job with Kathy Heller and Filmspotting.
True Native Media
True Native Media is a Florida-based boutique agency that specialises in podcast advertising. By building close relationships with the teams and brands they collaborate with, True Native media has built a reputation. This reputation has led to partnerships with NATIVE, FabFitFun and Warby Parker Eyewear. To date, they have placed over 50,000 ads and satisfied over 100 podcasters.
Best Podcast Advertising Tips
In 2019, Forbes asked 10 members of the Forbes Agency Council to share some tips for podcast advertising. Here are their most useful pieces of information:
Front-load your podcast advert – If you are creating a long podcast advert, you run the risk of listeners skipping your ad. Therefore, it’s vital that you shout about the most crucial information at the beginning.
Include a measurable call to action – When creating a podcast advert, it’s essential to encourage the listener to move from the podcast to your domain. If you have something to sell, you may want to provide listeners with a promo code. This way, you can track the success rate of your podcast advert.
Request a season-long sponsorship – podcast ads are perfect for those looking to gain exposure, rather than generate leads. If possible, strike a deal with a podcaster who’s open to limited season-long sponsors so that you can establish a relationship with a specific audience.
Think global, not local – A podcast’s listenership may not necessarily reside in the podcaster’s local area, so, it’s essential to ‘think global’ when creating a podcast ad. After all, you don’t want to advertise a product, service or event the listener can’t access or use.
Be familiar with your audience – It’s paramount to ensure you’re advertising to the right audience who may be interested in what you have to offer. If you don’t choose the podcast wisely, you’re unlikely to reap any benefits.
Consider the podcast's tone – a podcast advert should always be appropriately aligned with the podcast’s theme and tenor. If you fail to match the tone of the ad, you’re unlikely to appeal to the audience. In some cases, you may even offend a listener, so make sure you always consider the audience’s state of mind.
Music for Podcasts & Adverts
If you’re an advertiser looking to create a podcast ad or you’re a podcaster looking to liven up your native ads, we’d like to welcome you to our world of ready-to-licence production music.
We’ve got music to suit every type of podcast imaginable, from podcast intro music and outro music and everything in-between. We have a Fashion and Beauty playlist for contemporary tastemakers, brimming with sparkly, optimistic tracks; a soothing World Meditation album for those who preach (and practice) traditional wellness methods; a Cinematic playlist for film buffs; and a Religious playlist jam-packed hymns for the spiritual.
Click below to see our latest releases and secure a music license for podcast now!
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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The Wizarding World of Harry Potter has been thrilling kids and grown-ups alike since the first book, Harry Potter and the Philosopher’s Stone, was published in 1997. Following on from the blockbuster movies, fans can now explore their iconic sets and discover the magic behind bringing the Harry Potter films to life on the Warner Bros. Studio Tour in Leavesden and go on Harry Potter-themed rides at Universal Studios. Plus, of course, there’s enough merch for generations to come.
We’re going to dive into the best Harry Potter commercial campaigns, for the full lowdown on Harry Potter marketing.
Warner Bros. Studio Tour London – The Making of Harry Potter
Step onto the authentic sets, discover the sleight-of-hand behind spellbinding special effects and explore the behind-the-scenes secrets of the Harry Potter films with the Studios Tour. You’ll enter the iconic Hogwarts Great Hall and explore the Forbidden Forest, all before boarding the original Hogwarts Express at Platform 9 ¾ and wandering down Diagon Alley.
Located at the Studios where all eight films were produced, the Studio Tour showcases the British talent, imagination and artistry that went into making the impossible a reality on screen – and now, you can even see round Gringott’s Wizarding Bank.
This longer ad gives you a better idea of all the wonders you’ll see – including drinking butter beer, visiting Privet Drive and getting to climb aboard various forms of Potter-based transportation, with plenty of fan photos and the fuller, choral version of the theme, which also has plenty of stirring brass.
Harry Potter Max Original Series – Official Announcement
When it comes to Harry Potter promotional videos, you’d be hard-pressed to find one that’ll generate more excitement than this one. Yes, Harry Potter is finally coming to TV. Warner Bros. Discovery has officially announced its plan for a decade-long TV series that will be a ‘faithful adaptation’ of JK Rowling’s Potter books. The show will serve as an original series for Max – the new streaming service combining HBO Max and Discovery+.
The series – due to be released over the course of 10 years – will be exec produced by Rowling, Neil Blair and Ruth Kenley-Letts; David Heyman, the exec producer of the films, is also in talks to join. The show will feature an all-new cast, guaranteeing that the series will reach an entirely new generation of fans.
You’ll probably have to wait till 2025 to see the premiere, so in the meantime, here’s the announcement trailer, featuring both the iconic floating candles from the dining hall and – will they dare to change it in the future? – that theme…
Harry Potter and the Cursed Child
Based on an original story written by JK Rowling, John Tiffany and Jack Thorne, set nineteen years after the events of Harry Potter and the Deathly Hallows, this play has been lighting up the West End with magic, illusions and stage wizardry ever since its premiere in June 2016. Not to mention receiving a record-breaking eleven nominations and winning nine awards at the 2017 Laurence Olivier Awards. It’s since opened at theatres worldwide.
The story follows Harry Potter, now Head of the Department of Magical Law Enforcement at the Ministry of Magic, and his son, Albus Severus Potter, who’s about to attend his first year at Hogwarts.
The trailer for the ‘one of a kind theatrical experience’ introduces the characters – including Albus’s friend, Scorpius Malfoy, the son of Harry’s former enemy, Draco, and showcases some of the dramatic effects that the audience will be treated to. Combined with a soundtrack that’s heavy on orchestral drums and which builds to a heroic end, teasing, ‘our journey has only just begun’, it’s a thrilling promise of things to come.
Hogwart’s Legacy – PS5
Following the success of the original Harry Potter video games, Warner Bros. Games created the label Portkey Games, and expanded the series to include a pair of Lego video games. The games have sold over 50 million units, and grossed over $1.5 billion in video game sales, and an additional $1 billion in mobile game sales.
Hogwart’s Legacy made $850 million in its first two weeks post-launch. Set at Hogwarts in the 1800s, your character is a student who holds the key to an ancient secret that threatens to tear the wizarding world apart. Game-players can make allies, battle Dark wizards and decide the fate of the wizarding world…
The official reveal trailer uses part of the iconic main orchestral theme, amped up with epic taiko drums, as you’re promised lifelong friends, potion-brewing and taming fantastic beasts, as well as mastering spells. However, there are also dragons, trolls and all manner of other challenges to do battle with. ‘The journey ahead will reveal what you stand for…’ promises the John Hurt-esque voiceover.
Want more detail about what the game has in store for you? Then you need the official launch trailer, which reveals that the main character has ‘a rare ability to see whispers of ancient magic’ and gives an idea of the immersive graphics and some of the danger that you might have to face, as well as all the wizarding lessons.
And if you want some extra fun, then watch Tom Felton – aka Draco Malfoy – creating his character look and playing the game (including feeling right at home in the Slytherin common room!)
Harry Potter and the Deathly Hallows – Part 2 Trailer
In the epic finale to the whole story, the battle between the good and evil forces of the wizarding world escalates into a terrifying all-out war. The stakes have never been higher and no one is safe. But it’s Harry himself who may be called upon to make the ultimate sacrifice, as he draws closer to the climactic showdown with Lord Voldemort…
Harry Potter movie trailers have rarely been this foreboding or dramatic – there are crashing waves, buildings are ablaze and some of the biggest moments of the series to date are referenced, including Dumbledore’s death, in preparation for ‘the final battle’.
Blockbuster trailer music doesn’t come much bigger or better than this, either. We were all on the edge of our seats, desperate to hit the multiplex to find out Harry’s fate.
The Wizarding World of Harry Potter
This piece of Harry Potter advertising aired during the 2010 Super Bowl, heralding the opening of the Islands of Adventure theme park at the Universal Orlando resort. An owl delivers an invite to two eager kids, who are shown whizzing through the world on broomsticks, being chased by a dragon and following Harry himself into Hogwarts and Diagon Alley.
The ad brings in the delicate, twinkling sounds that signify magic ahead, then increases the excitement by introducing more orchestral flourishes.
Coca Cola – Harry Potter and the Chamber of Secrets
Of course, one of the world’s biggest drinks brands is going to pair up for one of the Harry Potter product endorsements. This ad, from 2002, sees a group of boys finding a promo leaflet for a free Harry Potter collectable game piece in their bucket of chilled cans of Coke, which unleashes a Golden Snitch. This zaps around their locker room, turning their kit into broomsticks, and their football clothes into Quidditch robes, as they take to the pitch, accompanied by the main John Williams theme.
Welcome to the Magical Diagon Alley – LEGO Harry Potter
We love a LEGO ad, and the spot for the Harry Potter/Diagon Alley set is, as you’d expect, loads of fun. Another year at Hogwarts means a trip to the heart of magical London: Diagon Alley. Harry stops off at Ollivander’s Wand Shop; Ron’s been to Quality Quidditch Supplies and who’s that signing his latest book at Flourish and Blotts bookseller? None other than Gilderoy Lockhart! And, of course, Harry, Hermione and Ron would never miss out on stocking up at Weasley’s Wizard Wheezes. From a tiny LEGO Hedwig carrying the Daily Prophet swooping through the skies over the street onwards, this is an ad filled with tiny joys.
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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Music licensing is big business: 2022 was a record year for sync, with revenue from TV, film and advertising up an impressive 29.9% year on year by the midyear mark, according to the Recording Industry Association of America. And research service Music & Copyright point to as much as 17% of all music publishing revenue now coming from sync licensing, so it’s potentially big business for artists and composers.
We take a look at how the right soundtrack can amplify TV ad effectiveness and drive brand success and audience engagement, together with the latest music licensing trends and music licensing industry insights.
The Impact of Music in TV Advertising
Music has the ability to provoke an emotional impact and create a unique connection with audiences, which is why music licensing is an integral part of branding and marketing.
The role of brands in people’s lives has changed dramatically over the past few years. As Brandingmag.com points out, ‘Brands that invented themselves decades ago are not necessarily communicating successfully or coming across in the same way anymore because people have changed and moved on.
Consumers now want a less transactional and more emotional relationship with brands. According to a survey by Motista, customers who have an emotional relationship with a brand have three times higher lifetime value and will likely recommend the company at a rate of 71%, instead of the average 45%. It is this personal approach to building relationships that brands should develop.’
Brand-building through lifestyle, a sense of belonging to a ‘tribe’ or emotional connections are all aspects that can be influenced by successful music licensing in advertising, through both messaging and storytelling.
Brand Storytelling
An international brand such as IKEA expertly uses storytelling in its ‘Wonderful Everyday’ advertising campaigns, highlighting everything from individuality to sustainability in witty ways. Its recent ‘Proudly Second Best’ campaign shows they fully understand their consumers by actively showcasing the fact that yes, you might have bought your baby an IKEA cot, but if they want to sleep on top of you instead, then that’s what you should do:
‘The Troll’, meanwhile, gives a fuller brand story, with a fantastical tale demonstrating how you can ‘make a house a home’, together with an underlying theme of community – and the music enhances the storytelling, giving cinematic emotional cues throughout.
It’s a heartwarming way of making you feel good about buying another Billy bookcase – or a reason to choose IKEA over another homeware retailer: you like them, so you feel good about giving them your money.
Snoop Dogg and Katy Perry’s Just Eat ads, meanwhile, established the delivery service as modern, cool and laid back, playing both on their stars’ personas and marrying the visuals with brilliantly-written original songs.
Emerging Trends in Music Licensing
The right music sets the tone for a campaign and can even become a key brand identity. Recognisable design elements – whether visual or musical - are known as ‘Distinctive Brand Assets’ and are key to having a standout brand.
Think of the whistle-y ‘ba-da-ba-BA-BAAA’ McDonald’s ‘I’m Lovin’ It’ signature. The minute you hear it, you’re immediately associating it with eating a delicious Big Mac, or enjoying a McFlurry. Or Netflix’s ‘Ta-dum’ as the streamer’s logo appears. It’s the perfect shortcut. Effectively, this sonic element, just a few seconds long, is strong enough to stand in place of the brand’s name and helps to literally cut through the noise being made by everyone else.
For example, Intel’s three-second, five-note sound logo, created by Austrian musician Walter Werzowa in the 1980s, is estimated to be played somewhere in the world every five minutes.
In a world where our attention spans are getting shorter and shorter, a brief ‘sonic identity’ or ‘sonic logo’ can be very useful. Luc van Stiphout, from sonic branding company MassiveMusic, told Design Week that, ‘the competition for people’s attention is fierce – you need to pull on every string you’ve got. You’re on your phone, your laptop is beside you and your fridge is telling you to stock up on milk – how do I get your attention? How do you cut through? Purely visual stimuli just won’t do it.’
However, Uli Reese from sonic branding agency Amp advises that putting all your eggs in that particular basket is a risk: ‘The anatomy of our brains is not wired to understand sound and noise. It’s wired to recall music – we’re born Mozarts.’
Music-driven branding has a greater recall – just think of how you learned pop hits when you were a teenager and can sing most of them even if you hear a couple of seconds, decades later. Plus, there’s research that claims audio input is processed more quickly in the brain than visual input, and affects us faster emotionally, too. So enhancing brand identity with licensed music could well be a valuable part of your strategy.
Amp created a ‘sonic DNA’ for BBVA bank, which had to cover all 35 countries the bank operates in, and platforms including the bank’s mobile app, ad campaigns and YouTube channels. ‘How We Dream’ is a light, upbeat track that’s had over two million plays on Spotify.
Plus, having this kind of ‘sonic infrastructure’ means you don’t have to spend money creating new branding every time you have a different campaign for a launch or new product.
MassiveMusic created a more ‘human’ element to counteract the corporate image of the football association when they worked with the Premier League – see how in this case study:
The Latest Trends in Music Selection
Industry experts point to the pandemic as one element that’s defined trends in music selection over the last few years, with ad agencies harnessing the power of music in TV ads to deliver emotionally charged, meaningful messages.
B&Q’s ‘Build a Life’ ad from 2020 emphasised family and home, which everyone had come to appreciate more during lockdown:
The follow-up, ‘We Will Grow Again’ emphasised hope after the winter lockdowns.
Many brands at the time were opting for soothing piano melodies, and lyrics also took on deeper meanings, with messages of solidarity and collective support.
As the perception of the pandemic’s threat retreated, there’s been a return to more upbeat, power-pop music, signifying a sense of lightness and freedom – think the 70s and 80s, including disco; eras with an ‘anything goes’ vibe.
The Rise of TikTok
What else is influencing brands? TikTok and other social media platforms. Unlike Facebook, Instagram and Twitter, TikTok is a firmly ‘sound-on’ platform. Sound and music are central to its enjoyment, but what defines a TikTok hit? Music that’s new. Although that’s all relative – think of how a song like Kate Bush’s ‘Running up that Hill’ suddenly ‘broke through’ and hit No. 1, 37 years after it was first released. It’s not new, but it’s new to the TikTok audience.
TikTok-esque songs that make people dance are hugely influential – Belvedere Vodka clearly knew their audience with their destined-to-go-viral combination of Daniel Craig shimmying his way through a hotel to the sounds of Rita Ora and Giggs.
TikTok has also initiated a trend for sped-up music, prompting artists to re-issue their material at a higher tempo. Will we soon see that reflected in ad soundtracks featuring hyper versions of hits?
Classic Title, New Artist
An enduring trend is a classic title, covered by a more recent artist – the John Lewis Christmas ads were the ones who primarily kickstarted this, with their ambient covers of everything from The Beatles to Blink182. These kinds of tracks combine nostalgia with a more youthful allure. It can be an iconic, comforting title that pulls at everyone’s heartstrings, but revisited by a different artist, it gives the ad a unique tone, and often makes you listen more closely to the lyrics, giving an extra opportunity to push a message home.
Old hits remain a surefire bet, with the 70s, 80s and increasingly the 90s tapping into our desire for comfort and nostalgia.
Go Back to the Future
One sub-genre has been killing it recently: . Synthwave, also called outrun, retrowave or futuresynth, is electronic music predominantly based on music associated with action, SF and horror film soundtracks of the 1980s – think John Carpenter’s Halloween, Vangelis’s Blade Runner and, of course, Stranger Things.
Targeting Your Audience
Ad agencies, being attuned to trends by nature, are also looking to reflect social concerns – they’re looking for more female and socially conscious artists. It’s vital to keep on top of what’s trending, in order to engage your target audience – and their particular demographic - effectively.
Strategies for Choosing the Right Music
Choosing the right music for TV ads is definitely an art. When it comes to practical tips and strategies for selecting the perfect music for television commercials, you need to think about:
Aligning your chosen track, sound or artist with your brand messaging
Your target demographics
The desired emotional response to your ad
Who Are You, and What Do You Represent?
What’s your brand identity? Is it youthful and rebellious, or a brand that’s stood the test of time and is supremely trustworthy? Fashion brands are always chasing the new; a pensions company probably wants to position itself more towards the low-risk, tried-and-tested end of things.
Standard Life takes its customers on a whistle-stop tour through the decades to show how many potential pensions you might have accrued through job changes. Visual styling (a Rubik’s cube; a floppy disk and a colleague drily saying, ‘No’, as she whips a piece of cake off our hero – even our attitudes to health have changed) are accompanied by Dr Alban’s ‘It’s My Life’.
Yes, the title of the song chimes with the ad’s message, but the fact it’s a 90s tune means it’ll resonate with a target demographic who are in their 50s and thinking about pension planning.
What’s My Age Again?
What’s the age range of your target customer? Tailor your music choices accordingly, from chart and streaming hits for Gen Z, who are turning 21 this year (their oldest members are hitting 26), to the songs that were popular when they were in their teens or twenties for Gen X (born from 1965-1980) or Millennials (born between 1981 and 1996), if you’re looking to tap into nostalgia.
Bianco’s ‘The Lift’ tells its romantic story without any spoken dialogue; its sparse, slightly off-kilter plucked music kicks off the ad with a comedic feel, then gradually brings in more strings to increase the emotion as our hero and heroine try to build up the courage to speak to each other in the lift they keep ending up in together.
‘This Girl Can’ chose Little Simz to soundtrack women facing challenges and powering through with defiance – it’s a track that makes you feel like you can take on anything.
Financial services often use classical and orchestral music – its heritage and familiarity can inspire feelings of trust. This RBS spot starts off that way – assuring you they’re a company you can feel safe with when it comes to handling your money – and your lost credit cards.
But hang on, RBS’s target customer, the kind of person like Sophie in the ad, isn’t someone who thinks about what her bank does much. How to appeal to her, then? Show you understand how she sees herself, in order to elicit a feeling of being in synch with RBS. Hence the second half of the ad sees Sophie shaking a tailfeather in a fabulous outfit, to the sounds of Christina Aguilera’s version of ‘Lady Marmalade’.
Alternatively, you can just hit on the perfect marriage of creative and track, and come up with an ad that’s totally off the wall, but which no-one can forget, like the multi-award-winning Cadbury’s ‘Gorilla’ ad.
What’s it got to do with chocolate? Nothing. But in terms of brand identity, demographics and creating an emotion, you could say it repositioned Cadbury’s from a heritage, pretty dull brand to a fun one, thus hitting a younger demographic. However, it also appeals to an older consumer who’s nostalgic for Phil Collins and 80s pop-rock. And it makes you laugh at its surreal boldness, so you automatically feel a rush of positive emotions every time you see it – and by extension, a bar of Cadbury’s when you’re out shopping.
Overcoming Music Licensing Challenges
Licensing music for advertising involves obtaining legal permission to use the piece for commercial purposes. Whether you’re using a track in advertising, film, TV, video games or other content, you’ll need to license it.
Sync licences allow brands to use a piece of music in a specific media format, such as a commercial. Licensing fees vary, depending on the artist, the music’s length and the licence type.
Legally, it can be a minefield. And securing rights for popular tracks can be both time-consuming and incredibly expensive. Plus, there’s always the risk that you’re going to pick the same track as a rival brand, and your ad won’t be unique and stand out in the way that you want it to.
When you’re looking at maximizing ad effectiveness through music, another option is to work with a dedicated company – such as Audio Network – with an extensive catalogue of pre-cleared music for commercial use. You can license an individual track, or have an annual subscription – or work with a dedicated in-house expert, who can hand-pick a selection of tracks based on your brief – think of us as your very own music supervision team.
Audio Network’s high quality original music covers every genre and mood, with hundreds of dedicated playlists to help you with your music selection process.
Need Music for Your Project?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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How best to showcase the unstoppable power of broadband? Virgin Media and VCCP London take their advertising creative to new heights (literally), with their latest bold, playful campaign.
A Nation of Animal Lovers
Some of the most iconic ads ever feature animals – we’re thinking of the heart-warming 1988 Real Fire ‘Dog, Cat and Mouse’ ad:
And of course the campaign which won all of the UK’s most prestigious advertising awards, including TV commercial of the Year at the British Television Advertising Awards, Cadbury’s ‘Gorilla’:
The Drum ranked it at No. 14 in its World’s Best Ads Ever roundup in 2022 – it was an instant hit, the brand’s sales shot up 10% and all-important brand perception increased by 20%.
And more recently, there was Wieden + Kennedy’s brilliant ‘Dancing Pony’ for Three Mobile, accompanied by Fleetwood Mac.
So, creatures behaving in quirky ways are pretty much guaranteed to be a hit with animal-loving UK audiences.
Capitalising on this, Virgin Media’s WiFi ads are bringing us a variety of animals living their best lives in a range of fun, surprising ways. They kick-started the brand’s ‘To Better and Beyond’ campaign in October last year, with ‘Why walk when you can ride?’ Starring a Highland cow who breaks away from the herd to take to the road and embark on an adventure on a Triumph Bonneville motorbike, this features the inspired addition of Patrick Swayze’s ‘She’s Like the Wind’ as the soundtrack.
The Virgin Media x Netflix version, culminating in our Highland heroine speeding along accompanied by masked characters from Money Heist, is a particular joy:
Find out more about the VFX used by Georgios Kyparissous to create the ad in this behind the scenes explainer:
Climb Ev’ry Mountain
So, how have Virgin Media’s agency, VCCP London, tackled the next phase of the campaign? Our inspiring hero this time is an intrepid goat.
Opening on a herd of goats stuck on a remote mountainside and stumbling dramatically, the wheels of a hang glider come into view as the strains of another 80s classic, John Parr’s ‘St Elmo’s Fire’ kick in. The glider gathers speed and a goat is revealed as its pilot, soaring into the skies. Yes indeed, ‘why stumble when you can soar?’
As with the previous ad, VCCP London collaborated with Emmy and BAFTA award-winners Untold Studios to create the gutsy mountain goats in CGI. The spot was directed by Sam Brown of Rogue Films, who’s directed everything from a McDonald’s McNuggets ad to Adele’s ‘Oh My God’ video.
VCCP London deputy executive creative director David Masterman revealed the thinking behind the ad: ‘Picking up from where our Highland Cow left off, we wanted to dramatise the unstoppable power of Virgin Media’s broadband with the story of a goat who leaves his stumbling herd behind to take to the skies.’
Virgin Media O2 marketing director Simon Valcarcel added, ‘Our latest campaign highlights the truly unstoppable spirit of the Virgin Media brand and our ambitions to provide our customers with the very best connectivity to help them reach new heights. Through our market-leading WiFi Guarantee, we want our customers to truly feel like they can do anything in life – like our hang-gliding goat.’
With the formula of a lovable farm animal, a potentially dangerous means of transport and a classic 80s tune, the only question is what combination Virgin Media will use next? We can definitely see the potential of a donkey’s fabulously furry ears being blown around by a thrilling breeze, so we’re eagerly awaiting the next phase.
Ad-spiration
For more brilliantly quirky ads – including the Hare and the Tortoise, Lion Man and some very hench bears – dive into our roundup of IKEA’s ‘Wonderful Everyday’ campaigns and explore The Edit for our monthly roundups of the best ad creatives.
Need Music for Your Project?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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The 2023 Wimbledon Championships are here – who will be following in the footsteps of previous champions such as Roger Federer, Rafa Nadal, Serena Williams, Ash Barty and our own Andy Murray?
All eyes are on South West London and its iconic grass courts, but which brands have created the best Wimbledon ads over the years?
Robinsons
Robinsons is the brand that’s synonymous with Wimbledon fortnight. However, they ended their sponsorship of the tournament after an incredible 86 years last year; it was one of the longest-running partnerships in sport.
The squash was in fact invented at Wimbledon back in 1933 as a way to hydrate players and went into commercial production a short time afterwards. The All England Lawn and Tennis Club confirmed the split with a statement: ‘After more than 80 years, we can confirm that the partnership between the AELTC and Robinsons has come to an end. We are tremendously proud of the historic association with Robinsons over so many years and thank it for the wider role it has played in supporting Wimbledon and tennis across the UK.’
Robinsons’ Wimbledon advert in 2009 showed all the agony and ecstasy of watching a British favourite make their way through the tournament. At that point, we didn’t know when we’d finally have a Wimbledon champion.
In 2012, Andy Murray became the first male British player since Bunny Austin in 1938 to make it to a Wimbledon final. He suffered an agonising defeat to Roger Federer, then came back a year later to beat Novak Djokovic in the final. He was the first Briton to win the title since Fred Perry in 1936, ending a 76-year drought. (He was also the first Scot to win the title since Harold Mahony in 1896).
In a smart piece of reactive advertising, Robinson’s brought back its original ad – giving it the longed-for last line, ‘worth the wait, wasn’t it?’
‘Ball Boy’
Our poor ball boy! Sprinting round the court fetching balls on a scorching day in 1981, he can only dream of a refreshing glass of Robinson’s Barley Water. But by the time he gets to have one, there’s no water left in the dispenser… Someone grab him an Evian, maybe?
‘Pat Cash’ - 1993
A cheeky scamp asks Pat Cash for his autograph at the end of a match; Pat asks the kid to hold his drink while he does it – who promptly scarfs the lot, earning himself an outraged, ‘Oi, kid!’ from Cash, and a bop on the head with his racket.
Wimbledon and The All England Tennis Club
The official 2023 Wimbledon promo, ‘Always Like Never Before’, is narrated by US teen sensation Coco Gauff, with a pulsating, blockbuster-esque backing track, showcasing greats through the ages:
This year’s campaign also features a rousing 60-second spot, celebrating some iconic moments that have taken place on the All England Club’s hallowed turf since the tournament was first held in 1877.
The greatest rivalries; the debut of game-changing new stars; trailblazers and unmissable mavericks; defiant Brits and spirited wheelchair players – everyone is ‘in pursuit of greatness’. McCann London’s film features a blend of live action archive footage, 2D illustration and 3D animation effects, CGI and photography, together with an all-new song created especially for the tournament by Kanye West-approved hip hop and electronic producer, composer and DJ, Hudson Mohawke, featuring vocals by GiGi Grombacher, ‘Pushing On (Always Like Never Before)’
‘You just need to watch one episode of Netflix’s Break Point to understand that we’re at a pivotal moment in tennis. We’re blessed with a raft of new players coming through the ranks, full of passion and hunger, and ready to make their mark on the tour,’ Wimbledon marketing and commercial director, Usama Al-Qassab said.
‘It’s an exciting, once in a sporting generation time, and we had to reflect this mood in our new trailer. After all, a day at Wimbledon is always like never before. Produced with our creative partners at McCann London, the trailer skillfully weaves together archive action with various creative techniques to produce a series of stunning filmic posters.’
McCann London creative directors Matt Searle and Olly Wood added, ‘The mix of tradition and innovation is at the heart of our ‘Always Like Never Before’ campaign, which recognises the sport’s trailblazers, great rivals, mavericks and spirited legends who inspire us all and have created so many unforgettable moments at Wimbledon.’
As for the track, its creator, Hudson Mohawke is a huge fan: ‘I’ve been watching Wimbledon on TV since I was a young boy, so to be a part of this year’s trailer feels surreal. We’re seeing a new wave of legends define history in the tennis world, and I wanted to make a soundtrack that reflected this juncture and the tantalising mood that comes with it – it’s something that’s hard to put your finger on, but you can just feel it in your chest.
I’ve used terms such as “fearless”, “strong”, “stand my ground” and “holding on” in the vocals, to echo the nature of competitive sport and just how hungry this next generation of stars is for success.’
‘The Stage Awaits’
Creative partners McCann London launched this lovely animation in 2022, soundtracked by Summer Kennedy’s uplifting ‘Come Alive’ as part of a number of initiatives to celebrate the centenary of Centre Court.
Featuring three young Wimbledon fans who are inspired by the wonder of Centre Court, the short brings together the thrill of tennis, the celebration of style, and the awe of the Club’s Grounds – all of which contribute to Wimbledon’s unique magic. As the viewer follows each of the characters on their imaginative journey, we witness the excitement of The Championships through their eyes while paying tribute to the many legends of the sport, past and present, who have celebrated success at SW19.
Rob Webster and Alexei Berwitz, Creative Directors at McCann London, commented, ‘For one of the biggest sporting events in the calendar, Wimbledon has always been about much more than just tennis. This film is packed fuller than a strawberry punnet with all the things that make Wimbledon so special, from history and architecture to spectacular floral and fashion displays and of course Serena’s epic forehands.’
A Summer of Sport
So, there we have it – whether you’re sipping on a gin martini or keeping hydrated with Evian or Robinsons whilst keeping track of all the stats and those epic, potentially record-beating five-setters, Wimbledon provides a world of entertainment. Want inspiration from more of the best sports ads? We have deep dives on everything from Nike to Adidas. Or if you’re looking for sports soundtracks, then we’ve rounded up the standouts from FIFA.
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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Photo Credit: Motor1
Curious about the most effective advertisements 2022? Then keep reading!
With us all daydreaming about holidays, trips to the cinema, and dressing up for special occasions, we’re witnessing a golden age of television adverts – a time in which advertisers are cheering on good times.
Join us as we take a look at the best ads of 2022 so far from the likes of Apple, Disney+ and H&M. Look out for familiar faces such as Gigi Hadid, Zendaya and Toni Braxton, and listen out for some incredible background music choices.
The Best Ads of 2022
Apple
Disney+
Disneyland Paris
British Airways
Nissan
Virgin Media
Turkish Airlines
Squarespace
Wickes
Apple
Usually, brands kick off the year with commercials brimming with positive vibes, but Apple chose to flip the script by focusing on calls between panicked people and the emergency services.
What has this got to do with the globally-recognised technology company? Each of these calls was made via an Apple Watch, meaning the brand’s technology played a part in saving people’s lives.
The concluding message is to begin the year with the smartest of investments – that’s right, an Apple Watch.
To match the sombre tone of the ad, Apple opted for a string-led background track that places emphasis on the conversations that play out across the minute-long commercial.
Disney+
Speaking of starting the year on a high, audiences were enticed to subscribe to Disney+ in January ‘22 after witnessing the Stories You'd Expect + Stories You Wouldn't commercial.
The platform boasts hundreds of films and television shows for all family members, from the Toy Story franchise to The King’s Man to The Simpsons to The Kardashians. This commercial simply highlights the scope of the streaming services’ offerings.
Billy Fury’s ‘Wondrous Place’ plays as viewers move from one household to another. Obviously, the chosen track pushed the notion that the streaming service is a wondrous place where all kinds of people can escape to.
Disneyland Paris
Speaking of Disney, Disneyland Paris started pushing its 30th-anniversary celebrations just a couple of weeks into 2022.
The commercial evokes the idea that there’s no better way to celebrate the end of the pandemic than by journeying to the entertainment resort where one can encounter the likes of Nemo, Elsa, Winnie the Pooh and Buzz Lightyear.
The music used in Disneyland Paris’ 30th-anniversary ad is imbued with magic. As the audience moves with the camera across a spectacular parade, the production track sparkles like fairy dust.
Nissan
Brie Larson, Eugene Levy, Catherine O’Hara, Danai Gurira and Dave Bautista teamed up earlier this year to help Nissan create a one-minute action movie to promote its all-so sophisticated Nissan Z sports car.
Never before has an automotive commercial been filled with so many explosions, helicopters and stunt moves.
At the beginning of the ad, a suited and booted Eugene Levy is accompanied by Ray Charles’ smooth jazz hit ‘What’d I Say’. Halfway through the ad, the music switches up to something more dramatic to complement Levy’s new rough-and-ready action movie hero look.
Go behind the scenes to find out more:
Turkish Airlines
Turkish Airlines knew that explorers worldwide were more than ready to jump on a flight after being stuck at home for the best part of two years.
So, the brand blew its budget on beautiful aerial shots of destinations in the four corners of the world and Hollywood royalty himself, Mr Morgan Freeman.
The cinematic song that plays throughout the length of this ad inspires viewers to turn their life into the ultimate movie. All they must do is jump aboard a Turkish Airlines flight and restart their travels across the globe.
Squarespace
Super Bowl ads are known for being extravagant, but one of the ads that really impressed us in February ‘22 was Squarespace’s surprisingly low-key ad, fuelled by the star power of It Girl Zendaya.
Essentially, the website building and hosting company expands the story of the age-old tongue twister, ‘She Sells Seashells by The Seashore’.
For Squarespace’s 2022 Super Bowl commercial, the brand selected a jocular seaside-inspired song that adds to the beachy atmosphere of the ad.
Wickes
Traditionally, we humans find it uncomfortable when passersby peer into our households. It’s an invasion of our privacy!
But in March ‘22, Wickes explored the notion of an individual being so proud of their interiors that they invite peering eyes to stare into their homes. This takes place within an ad aptly titled ‘Open Up‘.
Remi Nicole’s upbeat track ‘Welcome to My World’ fits the theme of this ad as the homeowners are prompting strangers to take a peek into their world.
Need Music for Your Project?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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How is gender represented in advertisements? Well, men, on the whole, have been illustrated as strong, intelligent and hard-working, but we can’t say the same for women.
In today's world, women are - more often than not - empowered by the media. However, this wasn't always the case.
So, what was the role of women in advertisements?
Not so long ago, sexist ads encouraged women to be two things: a man’s maid and accessory. Even after they helped keep the world running during World War I and II, women were still regarded as passive and inferior.
And what percent of advertising is targeted at women? According to a 2019 study by The Economic Times, 58% of contemporary adverts target women versus the 38% that target both genders.
So read on to find out more about the history of women in advertising, and all about how commercials went from portraying women as passive housewives to celebrating kick-ass women.
The Portrayal of Women in Advertising
Early 20th Century
Before the first TV ad aired in 1941, print and cinema advertisements were two of the most effective ways for advertisers to promote their products to a wide-ranging audience.
Print Advertisements
In 1908, Henry William Hoover founded his namesake brand in Ohio, USA.
As you may already know, he worked with James Murray Spangler – inventor of the upright vacuum cleaner – to mass-produce Hoover vacuum cleaners.
By the 1920s, a Hoover vacuum cleaner was recognised across the USA as a household essential. And the narrative that the brand’s print advertisements pushed to promote their cleaning device was that a Hoover was a woman’s greatest desire.
It was commonplace to find Hoover print ads accompanied by captions such as, ‘Don’t disappoint her again this Christmas. Give her a Hoover’, 'Give her a Hoover, and you give her the best’, and, 'The Hoover will safeguard her pride in a clean home.’
Early 20th Century ads like this depicted the average woman as a domestic servant whose only desire in life was to keep a tidy home to please her husband.
During the 1930s, cinemas started to pop up everywhere, and some of the most seminal films in cinematic history made their debut, such as The Wizard of Ozand Snow White and the Seven Dwarves.
For advertisers, the advent of cinema meant a captive audience to promote their wares to.
One example of a 1930s screen ad is ‘A Film Mystery’ by Dreft, which follows a character called Mrs Smith who is found in the kitchen. When viewers meet Mrs Smith, she is washing up at the sink.
The narrator recommends that, like Mrs Smith, viewers should start using Dreft detergent when washing dishes and glasses.
This is just another example of how, during these times, women were viewed as nothing more than housekeepers.
Watch this and more 1930s ads below.
1940s-1950s
Televisions were becoming increasingly common during the 1940s-1950s, to such an extent that the majority of people in western countries owned a television by the end of the ‘50s.
Naturally more and more advertisers capitalised on this new audience, investing in the production of screen advertisements.
Less fortunate was the fact that - despite women assuming men’s roles during WW2 – these adverts were littered with sexist stereotypes.
In the selection of 1940s ads below collated by NowThis News, there’s one obvious throughline: women need to live up to men’s standards.
1960s
Coca-Cola Commercial (1961)
In 1961, Coca-Cola recruited actress Connie Clausen to star in its TV ad that pivoted around an outlandish theory: Coke keeps you thin. “There’s no waistline worry with Coke you know,” says Clausen, before she dives into the reasons why she drinks the soft beverage to keep her body in check.
Even putting the dubious science to one side, it’s a damaging message to send women that their worth is intrinsically linked to their physical appearance.
If we have to look for a silver lining though, at least its protagonist is a career-driven woman, rather than a housewife chained to the kitchen sink.
1970s
Tab Cola Commercial (1972)
During the 1970s, it felt as though there was real progress in terms of tackling gender inequality in media and advertising.
Take this female-led 1972 Tab Cola commercial, for example: there’s not a man, kitchen or cleaning product in sight. However, the advertising world had found another to exploit women: the male gaze.
Women (like the one seen in this ad) were sexualised to entice men to buy the product or service being promoted.
1980s
Martini Commercial (1981)
Women being subject to the male gaze was an even greater issue during the 1980s; after the decade of liberation, women would often appear in ads wearing skimpy outfits for the pleasure of men.
Case in point: Martini’s 1981 roller waitress commercial. Are there any redeeming features? Well, it does show a modestly-dressed woman as part of an important board meeting… We’ll take what we can get.
1990s
Bounty Commercial (1990)
Sex sells was very much the motto of the 90s and advertisers found new and inventive ways to feature half-naked women in their commercials.
For instance, this Bounty ad takes viewers to an exotic beach, inviting them to “taste paradise” whilst staring at a bikini-clad woman.
But there is one way in which this commercial differs from the Martini ad that aired a decade prior: Bounty also included a half-naked man for the benefit of the female gaze. Yes, it was time for ladies to take a look too.
2000s
Gillette Venus Commercial (2000)
Just after the turn of 2000, Gillette released their Venus commercial that promised women they would feel like a goddess if they used the brand’s new line of razors.
It is discernible from the offset that the ad aims to encourage women to shave their legs for themselves, not to impress men.
This concept is confirmed when the female narrator says, “That’s something all goddesses are entitled to,” when discussing smooth skin. Men, who?
2010s
John Lewis Commercial (2010)
In 2010, department store chain John Lewis celebrated women with its advert that took viewers from baby to old lady to the sound of Fyfe Dangerfield’s cover of Billy Joel’s ‘She’s Always a Woman’.
Emotional and powerful, the ad reminded the people at home that women are the glue to all aspects of life.
Women and Advertising: The Takeaway
If you successfully digested all of the information above, you’ll be well aware of the progress made in advertising over the last century.
In summary, women were once mistaken as the weaker gender but, finally, advertisers have acknowledged that – as Beyoncé puts it – girls run the world.
Or if you prefer to spend your time scrolling through YouTube, you check out our piece on the best female YouTubers.
Inspired to improve your own advertising campaigns? Dive into our vast catalogue of original music, perfect for taking your message to wider audience. Discover our production music playlists today.
Need Music for Your Project?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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Even if you never visited confused.com before, you’ve almost certainly heard of the brand. But for clarity, if you're wondering what is confused.com, it's a UK-based price comparison company that provides insight into the best deals in insurance services.
But how – you may be wondering – did the brand become so famous? Two words: memorable advertising.
Essentially, Confused.com’s strategy focuses on grabbing the attention of viewers in fun and imaginative ways instead of trying to bombard them with information.
These types of ads work well for the company as it’s only every so often that one considers purchasing insurance. Thus, it’s unproductive to advertise deals to people who are not looking to use Confused.com’s comparison services in the near future.
The real aim is to ensure the brand is at the forefront of a viewer’s mind when the time comes for them to explore insurance deals.
Below, we explore the very best ads released by Confused.com – from James Corden’s Confused.com ad to Timothy Murphy’s Confused.com ad – looking especially at how music ties each production together.
The Best Confused.com Adverts
New Confused.com advert
Confused.com advert 2021
Confused.com advert 2020
Confused.com advert 2019
Confused.com Timothy Murphy advert (2019)
Confused.com advert 2018
Old Confused.com advert (2002)
Confused.com Robot advert (2014)
Confused.com Chain Reaction advert (2011)
Confused.com Duet advert (2012)
Confused.com James Corden advert (2016)
New Confused.com Advert
Confused.com’s latest ad made by London-based agency Karmamara looks inside the chaotic, destructed mind of an average Joe called John.
Here, John stumbles upon an oracle of sorts who provides him with the answer to a question.
After being enlightened by the mysterious figure, John states that he’s no longer confused, he’s Confused.com.
To keep viewers guessing, a blue Mercedes appears out of nowhere (redolent of the blue Merc Timothy Murphy drives in his Confused.com ads), and so does a yellow suit-clad guitarist who plays a flaming guitar. Pretty random overall.
The haunting, atmospheric soundtrack to this Confused.com ad plays into the apocalyptic vibe of the setting. Plus, it connotes that there’s something spiritual about the oracle character.
Confused.com Advert 2021
There’s a soap-opera-on-steroids vibe about Confused.com’s 2021 advert ‘Wave‘ – striking classical music and cinematic shots meet relatable characters and an archetypal British neighbourhood.
In the ad, drama is found within the everyday awkward situation of thinking that someone is waving at you when, in fact, they’re waving at the person behind you.
Classical music is used within this ad to make things more theatrical. It’s definitely a good way of commanding an audience’s attention.
Confused.com Advert 2020
Set in the same world as the 2021 Confused.com advert, the 2020 commercial is centred on the over-exaggeration of another everyday occurrence.
This time, we see two suburbanites attempting to get past the other. “This world is full of little confusions, but I’m not confused. I’m Confused.com,” says the narrator. Mic drop.
Once again, lively classical music keeps viewers interested in an otherwise mundane situation, highlighting the power of a good soundtrack.
Confused.com Advert 2019
Sons of Anarchy star Timothy V. Murphy adds a little bad boy attitude to Confused.com’s 2019 advert that introduces Confused.com Rewards.
The actor encourages the viewer to see the world more clearly by using Confused.com’s services and claiming tempting rewards such as vouchers for Halfords and Domino’s. (N.B. This is the ad featuring the blue Merc that we mentioned previously.)
The music used in the Confused.com 2019 ad has a Southern twang that complements the rural setting of the ad and the idea that Confused.com can help people ‘see things more clearly’.
Timothy Murphy Confused.com Advert (2019)
The previous ad isn’t the only one to star Timothy Murphy – he adds a little Irish swagger to a handful of ads, including one entitled ‘The Year of Confusion’.
Within this ad – a commercial filled with puppets, ballot papers, bins and more – Murphy invites the viewers to ride with him in his Confused.com Mercedes past all of the confusion.
This ad features an instrumental version of ‘God Save the Queen’. The use of this track connotes that all modern-day Britons are confused during this tumultuous time. Well, the assumption’s not wrong.
Confused.com Advert 2018
We promise this is the final Timothy Murphy Confused.com ad on our list (not that you’re complaining - he’s compelling!).
Set in a busy metropolis, the ad aims to reassure the viewer that it’s normal to feel confused as the world outside is a very overwhelming place – there’s too much choice, a lot of nonsense media and millions of bewildering deals. The answer? Confused.com, of course.
The jazzy music immerses the viewer into the busy world Murphy finds himself driving through. The driving beat of the track amplifies the busy feel of the commercial.
Old Confused.com Advert (2002)
This early Confused.com ad established the brand’s tone – it let the nation know that the platform is ideal for ordinary citizens looking to make the right decision on a car insurance deal.
It also introduced the brand’s cartoon logo and informed viewers that the platform covers 92% of car insurers on the net.
Music would have taken this advert to the next level but, unfortunately, no background track was used.
Personally, we would’ve gone for something upbeat to give the then-new brand an air of warmth and friendliness often lacking in the insurance industry.
Confused.com Robot Advert (2014)
The Confused.com robot ad from 2014 is unforgettable, chiefly because Brian the robot is so damn cute.
In the ad, Brian spots a family (one he notices could save money on Confused.com) departing from their textbook British neighbourhood to their staycation destination.
Determined to help them, Brian travels across the country to find them – finally, he locates them in a seaside town and proceeds to inform them that he could save them £230 on their car insurance. Now that’s what we call dedication.
We’re not going to beat around the bush, Confused.com’s ‘Chain Reaction’ ad is our favourite Confused.com ad of all time (and no, it’s not sad to have a favourite!)
It has everything you could possibly want from an advert: loveable characters, a familiar soundtrack and cheerful colours included.
It truly is the ad that made us care about the brand. Check it out for yourself, especially if you’re looking for something that’ll put a smile on your face.
This musical ad has Diana Ross' Bee Gees-penned pop anthem‘Chain Reaction’ at its core. It’s just the thing to make a viewer’s day.
Confused.com Duet Advert (2012)
Confused.com quickly realised that the whole animated musical ad thing was pretty effective.
Of course, by effective we mean it had everyone talking about the brand. So, naturally, they made a sequel. How did they step things up? With a duet, of course.
For the duet ad, Confused.com took Village People’s disco hit ‘YMCA’ and made it their own. Basically, they rewrote the lyrics to provide viewers with information about the company in a playful way.
Confused.com James Corden Advert (2016)
There are a few Confused.com ads featuring James Corden, but our favourite is ‘Winning Streak’ ad.
In the commercial, Corden plays a driver who picks up his friend from the station and proceeds to make his way through the notoriously busy city of London with ease.
In fact, the journey is so stress-free, the viewer begins to wonder whether the driver possesses magical abilities.
Glam rock megahit ‘Get It On’ by T. Rex keeps this ad flowing. Plus, it gives the city of London a punky feel which, ultimately, makes for a more interesting advertisement.
Music Makes A Difference!
It’s no coincidence that music is an essential ingredient in all of the most successful Confused.com adverts.
So, if there’s one thing to take from this article, it’s to carefully consider the music you use in your productions, no matter if you’re producing an advert, a podcast, a film, a television series or something else entirely. And when you do start thinking about production music tracks, why not come straight to Audio Network?
We’ve got over 200,000 high-quality background music songs in our catalogue. Check them out via our discover and playlists pages.
If you’d like to read a little more about music in advertisements before you start exploring our selection of music, take yourself over to The Edit.
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When it comes to eye-catching, memorable ads, IKEA’s are some of our favourites.
The key elements that mark out the Swedish retailer’s campaigns are a combination of humour, playfulness and emotion, often – but not always – focusing in on families having fun together, and how your home is a big part of that (especially relevant after the last couple of years).
They’ve been running their delightful ‘The Wonderful Everyday’ spots since early 2014 and to celebrate the series, we’re taking a look at the best IKEA ads.
Who Makes The Wonderful Everyday Ads?
Who do they trust to keep coming up with the goods?
In an age where brands often chop and change agencies to get a fresh take, IKEA have forged a long-standing relationship with creative agency Mother London.
UK marketing boss Laurent Tiersen told Marketing Week that, ‘We prefer to invest in a long-term partnership and not keep hopping around. Therefore, we make sure all our agencies, from creative to media, develop things together. We work with Mother London like we would work with a designer on a new piece of furniture; there’s collaboration every step of the way.
‘If we work with a designer, we also work with the supplier to find the right set up to make sure their product is ethical, functional, beautiful and sustainable. It’s the same process with our creative and media agency partners. We regularly ask Mother London’s advice on wider business decisions such as how we can position ourselves in the UK market or how we approach prices. This level of collaboration is key to our success.’
IKEA The Wonderful Everyday
IKEA made its UK debut in 1987; however, by 2013, sales growth had declined and they challenged Mother London to develop a communications strategy to revitalise the brand.
Mother’s Strategy Director, Kieran Bradshaw, said that they faced two core challenges, ‘change the fortunes of the business (turn around declining sales growth/revenue/penetration) and give the brand a renewed sense of meaning – not just for consumers, but also for co-workers and stakeholders.’
The team hit on the idea that life isn’t about fleeting events, like a summer holiday, but the little, everyday things.
Hence creating, ‘a brand new world of hyperbolic, surreal and cinematic renditions of life at home that demonstrated insight, yet brought more to people’s lives than simply holding up a mirror to everyday life.’
IKEA Ads 2021
‘Every Home is a Haven’
Aka the ‘brawn bears’ ad, Mother London’s spot was voted by creative peers in the Thinkbox Academy as the best TV ad to debut in September/October 2021, and it was definitely one of our favourite ads of last year.
Mother said that the brief was to set out IKEA’s, ‘democratic mission: to make every home a haven’. That is, home should be a place where you feel safe, happy and protected, free from everyday life’s distractions.
What makes you feel safe and secure when you’re a kid? Cuddling a teddy bear. Hence the buff bear bouncers defending the family home.
The Mother team then, ‘spent a lot of time crafting the moments of protection in the film and figuring out how to do them in a way that landed the idea but also felt really playful and charming. For instance, why just hang up on an unwanted work call when the bear could crush the phone to smithereens? That’s much more fun.’
The team told Campaign, ‘TV is where IKEA set out its strong point of view on everyday life at home and the importance it plays in everyday life. It’s where we inspire people to think differently about the home, not just for different’s sake, but because of the big emotional benefits it can bring to their lives. It’s also an opportunity to really revel in the wonder and magic that endears people to the brand.’ Which of course exactly chimes with the retailer’s tagline, ‘The wonderful everyday’.
The soulful hip hop track used on the ad is Sampa the Great’s ‘Final Form’, from the Zambian rapper’s debut album, The Return.
‘Change a Bit for Good’
Are you suffering ‘consumer fatigue’ when it comes to sustainable living? IKEA’s eco and sustainability-themed ad from May 2021 will strike a chord with anyone who loved Pixar’s Wall-E.
A determined droid, inspired by a billboard that says, ‘Defender Droids Save the Planet’, tries his best to make a difference in cleaning up the environment, travelling from a clogged-up canal to taking on a truck and then trying to tackle a huge oil slick on a beach. His efforts are constantly thwarted and he returns home, looking defeated and utterly dejected.
However, his little droid family home is kitted out with IKEA products, from a string bag for their veg to glass bowls that enable them to batch-cook, minimising food waste, and they’re even using a Flisat wooden toy storage box on wheels to grow veg in.
Our cute robot ends his day with a smile. The ad expertly taps into how so many of us feel: we can’t have an impact when it comes to saving the planet. However, IKEA’s idea is that if we all make a few easy changes to live more sustainably, the power of change is in everybody’s hands.
The music used on the ad is ‘Keep Movin’ by Crosby St Models, which features a mix of strings and determined beats with a slightly robotic, processed vocal, ideal for personifying our hero and his mission.
IKEA Ads 2020
The ‘Fortune Favours the Frugal’ ad from December 2020 also demonstrates the brand’s ‘waving goodbye to waste and embracing living in moderation’ ethos.
IKEA’s Marketing Communications Manager, Kemi Anthony, said, ‘We’ve set the ambitious goal of becoming fully circular and climate positive by 2030,’ and that their aim is, ‘To democratise sustainability, demonstrating how easy it actually is to make very simple, affordable and meaningful changes.’
An asteroid made of plastic toys, bottles and bags is shown rocketing towards Earth, contrasted with shots of a family who are living sustainably.
A little girl listens to a tape on a Walkman (which is when the ad’s soundtrack, the suitably titled ‘Makin’ it Better’ by The Barons, kicks in), pickled food is put into glass jars with wooden tops, while there are herbs growing in the Bittergurka herb pot, and a woman replaces a lightbulb with one that’s more energy-efficient.
As the asteroid gradually breaks up on entry, there’s a final plastic drinks bottle that lands in the family’s backyard. The little girl sprints out, picks it up and pops it into their recycling bin in the kitchen.
IKEA’s latest recruitment ad, ‘Taste the Future’, further develops their sustainability theme:
‘The Hare’
‘The Hare’ is a fantastic IKEA bedroom advertisement from September 2020, which provides a hilarious ‘prequel’ to the fable of The Tortoise and The Hare.
Our long-eared hero sets off, bright-eyed and bushy-tailed for a BIG night out with the lads, incorporating everything from the pub to a kebab, a lengthy walk home when he misses the night bus, and then compounds the effect by staying up in the wee small hours when he’s home, phone-scrolling and watching TV, before eventually nodding off on the sofa.
Meanwhile, in an apartment across town, Tortoise has had a lovely restful night’s sleep – the unsung hero of a great day (check out his huge stack of pillows and fluffy duvet!).
He’s up and at ’em and ready to take on the race. Another bang-on song title – ‘Witness the Fitness’ by Roots Manuva – speaks to the dedication the Mother London team have for finding exactly the right fit for their ads.
‘Conquer the Great Indoors/Lion Man’
‘Did you know that a lion spends more than 18 hours a day relaxing?’ asks the soothing Wonderful Everyday voiceover man.
The camera pans over a lion (well, a person in a massive lion suit), luxuriating on his lovely sofa (amusingly accompanied by his pet tabby cat). He watches some lion-based documentaries, reads a book with his feet up and does a few yoga stretches.
However, the lion’s approach isn’t laziness, it’s preparation for taking on the energy required to entertain a bunch of energetic kids who then burst into the sitting room; our hero entertains them with everything from balloons to rides.
‘Relax into greatness’ is the advice we’re given, to relax and recharge both our bodies and minds.
IKEA Ads 2019
‘The Nightclub’, IKEA’s ad from January 2019, celebrated its belief that ‘the greatest nights are the ones spent in bed’. Crowds of people are shown rocking up to a club and joining the queue.
However, instead of sporting club gear, they’re wearing onesies, PJs and slippers; as they enter the club, they’re greeted by an array of beds under the mood lighting.
They do their pre-sleep prep (face masks, teeth brushing, luxury hot chocolate – plus some bedtime reading and bouncing around), before snuggling down for a delicious night of sleep.
And the soundtrack? What could be better than Roy Orbison’s epic ‘In Dreams’? Cleverly, this is an IKEA bedroom ad that’s not an IKEA bedroom ad.
IKEA Ads 2018
‘Ghosts’ showcases IKEA’s stunning fabric selection, as a bunch of bright, bold spooks gatecrash a dull party hosted by white sheet-clad ghosts in a plain, largely beige, rather uninspiring suburban house, whose owners have gone out for the evening (special shout-out to the detail of the ghost dog!)
Our colourful, patterned gang quickly take over the decks, putting on K7’s 90s hip hop anthem, ‘Come Baby Come’, start break-dancing and body-popping and everyone’s having a great time.
When they spot the car headlights of the owners returning, however, all the ‘ghosts’ chuck themselves around the sitting room: a rug on the floor, a throw on the sofa, even the curtains. ‘Be a maverick with fabric’ is the tagline, as the homeowners look a bit perplexed by their brand new, style-and-personality-filled sitting room.
For some extra fun, check out the VFX shots behind the scenes:
IKEA Kitchen Advertisement
IKEA’s ‘Cooks’ ad from July 2016 shows that when it comes to spending time in the kitchen, it’s about much more than food. ‘Don’t forget to feed Jo’, a mum says to her dad, as she heads off out, leaving the little girl and her granddad together, both parties looking slightly alarmed.
The pair then proceed to have huge amounts of fun, messing about with food, tastes and utensils and making each other laugh uproariously.
The resulting food (soup made in a wok, drunk from glasses) and sandwiches, may be disgusting (judging by granddad’s expression at the end), but the two have had a brilliant time together and are still merrily drumming away on a stack of pans by the time mum gets back home.
The ad was directed by A-list French film director, producer and screenwriter Jean-Pierre Jeunet, who’s perhaps most famous for black comedy Delicatessen, The City of Lost Children and his biggest success, Amelie.
The track used is ‘Caravan’ by Stephane Grappelli, which has bags of jazzy swing, and, of course, plenty of drumming and cymbals to tie in with the ad’s final frames.
It’s perfect for this creative, as jazz is famous for bringing together freeform elements and making them work together.
IKEA Christmas Ads
‘Waste’ was made by BBDO Russia in 2020, highlighting the issue of food waste during the holiday season.
A small boy dodges huge pieces of food as they come crashing down from the sky onto the snowy streets where he’s playing.
A giant cheese-and-olive toothpick! A turkey leg! He dives through a hole in a piece of cheese and has to outrun a tangerine (much like Indiana Jones’s escape in Raiders of the Lost Ark) before making it back to his tower block (complete with a draping of grapes), where he finds his mum scraping leftovers into the bin after a meal.
‘What if nature returns everything we throw away during the holidays?’ questions the voiceover as mother and son look in horror at the food raining down past their window. ‘Don’t let your celebrations go to waste’ is the tagline, as the two pack up the leftovers in IKEA’s Tupperware-style ‘lock and lock’ containers.
The ad is soundtracked by the classic Christmas carol, ‘Here Come the Bells’, which, with its roundel structure, and layering of the voices, mimics the food cascading down from the heavens.
At the opposite end of the spectrum is a festive Canadian IKEA ad from 2021, which uses an iconic Bollywood track. The Canadian family of South Asian heritage come together for the holidays, helped by IKEA’s little touches. The ‘Assemble Together’ campaign was created by a team that included members from a diverse set of cultural backgrounds and perspectives.
From Indian and Persian to Filipino and Italian, and of course Canadian and Swedish too, the diverse personal experiences, unique holiday traditions and celebrations from across the group helped to inform the campaign insight, creative execution, and production decisions.
The track used is ‘Chaiyya Chaiyaa’, an Indian pop-folk song, used in the Bollywood film Dil Se, composed by Oscar and Grammy-winner A.R. Rahman (Slumdog Millionaire).
As for the best IKEA Christmas ad, it’s still got to be ‘Silence the Critics’ from 2019. A wonderfully ludicrous take on the state of our homes over the holidays, and the pressure people feel when it comes to entertaining and hosting, a crew of household objects unite to perform a scathing diss track, taking down nearly everything in the house.
Legendary grime emcee D Double E did the duties and it won industry awards including two Yellow Pencils at the D&AD Awards.
Holly Fraser, Director of Content at WePresent, revealed why she thought the ad deserved the award: ‘Work that should be celebrated is work that feels new, that breaks the mould and ignites conversation. That’s exactly what IKEA’s ‘Silence the Critics’ does. Subverting the tired, ‘pull at the heartstring’ formula usually rolled out for holiday season advertising, it instead uses grime music to create their own diss track, targeting the house in the ad. The result is a clever, catchy, conversation-starting piece of work that lived far beyond its original purpose, and instead turned into a cultural moment.’
Clever, catchy and conversation-starting seems to sum up IKEA’s whole #TheWonderfulEveryday campaign – and long may it continue.
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At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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