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Fun’ and ‘classical music’ are two terms seldom found in the same sentence together; but we believe there’s plenty of humour and excitement to be found within the realm of the music genre.
To prove this point, we’ve compiled a list of fun facts about classical music and composers, some of which act as a reminder that classical composers are just like us: human beings with their own hobbies, interests, quirks and personalities. Trust us, we know it can be hard to accept that legends like Bach, Beethoven and Bizet had a lighter side, but they did!
Speaking of classical music, we’ve got a boatload of classical compositions within our catalogue of over 175,000 tracks. Head on over to our orchestral page, and you’ll find a wealth of classical playlists, including a nostalgic playlist, horror playlist and comedy playlist. Alternatively, you can scan through our expertise category over on The Edit to read more about the classical genre and music in general.
Our Classical Music Fun Facts
1. Compoer Trivia: Grieg
Norwegian composer and pianist Edvard Grieg always kept a frog doll made from cloth in his pocket, and every time he performed he would pat the frog on the head for good luck. Hearsay suggests that Grieg was given the frog by a little girl who was visiting his hometown of Troldhaugen. Discover more Grieg facts in the video below.
2. Obscure Classical Composers: Schoenberg
American-Austrian composer Arnold Schoenberg had an irrational fear of the number 13: a condition officially named triskaidekaphobia. His fear was so extreme that he deliberately misspelt his opera Moses und Aron (missing out one of the As from 'Aaron') to ensure the title had 12 letters, not 13. Scarily enough, the composer passed away on 13th July 1951. Perhaps the number really is cursed...
3. A Hungover Genius
Mozart wrote the overture to his opera, Don Giovanni, in three hours on the morning of its debut, and he did this whilst suffering from a hangover. Reportedly, he was out drinking with friends the night before when, fortunately, one of them reminded him that he was yet to write the opera’s opening orchestral piece. Is this a sign that we should all get drunk more often? Possibly.
4. The Red Hedgehog Tavern
It’s hard to believe that Romantic-era composer Johannes Brahms was a regular pub-goer, but it’s true! The man responsible for lullaby composition Wiegenlied would visit his favourite pub in Vienna – The Red Hedgehog Tavern – almost every day. Is this further evidence of a link between alcohol and creativity? We’d like to think so.
5. Greedy Guts George
George Frederic Handel was well known for ordering enough food for three people when he was eating out for dinner. All we can say to that is, we feel you bro, and we’re grateful that the food provided you with the energy to compose Largo – one of our all-time favourite compositions. Never heard it? Check out the video below.
6. Trainspotting
Dvorak, was a keen trainspotter.
19th Century Czech composer AntonÃn Dvořák had two passions in life: music and trains. His affinity for the latter – which first developed when he was just nine years old – led the composer to frequently visit various train stations across Prague. He would also ask others, (including his daughter’s boyfriend and locomotive engineers) to provide him with details of their train journeys. We wonder if trains were the inspiration behind his New World Symphony (Symphony No.9).
7. Little Mushroom
Austrian composer Franz Schubert – the man behind the Lied Erlkönig – was a stout man who was only around five feet tall. His size and stature earned him the nickname Schwammerl: a word which means ‘little mushroom’ in German (the Austrian and Bavarian dialects of German, to be specific).
8. Precise Coffee Order
Like the best of us (sorry, not sorry), Beethoven was an avid coffee drinker, but his coffee order was a lot fussier than ours. The composer would meticulously count 60 coffee beans to ensure that his hot beverage was just as strong as he liked it each and every time. Perhaps a caffeine rush inspired his exhilarating masterpiece Symphony No.5.
9. Pigtails
Austrian composer Joseph Haydn was aggravated when he had to drop out of his church choir after puberty stole his angelic voice from him. To channel his frustration, Haydn cut the pigtails off of the head of a fellow male member of the choir. As a consequence, Haydn was caned in public.
10. Napkin Notes
If you’re a creative, you’ll know that inspiration often strikes when you least expect it. A famous example of this is when English composer Edward Elgar awoke from his dental surgery experience and swiftly jotted down the main theme to his last work of note, Cello Concerto.
11. Holst and Horoscopes
Gustav Holst was inspired to writeThe Planets after being introduced to astrology by writer Clifford Bax. The composer cast his friends’ horoscopes for the rest of his life, and referred to astrology as his ‘pet vice’.
12. Opera Buffa
The Marriage of Figaro is a comic opera - also known as an opera buffa - which is where we get the term ‘opera buff’.
13. Spiders Prefer Bach to Outkast
During an experiment, when they listened to rap, they made their webs as far from the speakers as possible, but made their webs near to the speakers when Bach was playing!
14. The Radetzky March, the Victorious Anthem
The Radetzky March was written by Johann Strauss Senior to commemorate Field Marshal Joseph Radetzky’s victory at the Battle of Custoza, which is why it became a popular tune for military bands and became an unofficial Austrian national anthem.
15. Beethoven's 9th Symphony
Beethoven conducted the premiere of his 9th Symphony without hearing a single note.
16. Bizet's Carmen
Bizet died thinking his opera Carmen had been a failure - it was only after his death that it took off.
17. Haydn's Head(s)
There are two skulls in Haydn’s tomb. His head was stolen by phrenologists, and a replacement skull was put in his tomb. When the real skull was restored in 1954, the substitute remained there…
18. A Cancelled Booking Gone Right
The London Symphony Orchestra was booked to travel on the Titanic’s maiden voyage, but they changed boats at the last minute.
19. The Symphony Which Needs 800 Musicians to Perform It
Havergal Brian’s Symphony No. 1, the ‘Gothic’, requires over 800 musicians to perform, including 82 string players.
20. Music & Money
Edward Elgar appeared on the £20 note until 2010. He was replaced by the Scottish philosopher Adam Smith.
21. The Child Prodigy
Mozart wrote his first opera when he was only 14, and had composed 30 symphonies by the age of 18. In total, Mozart wrote more than 600 musical works.
22. Traditions
During the first London performance of Handel’s Messiah, King George II stood up as soon as the ‘Hallelujah Chorus’ kicked in - after that, it became traditional for audiences to stand for this famous chorus.
Want to Find Out More about the Classical Collection’s Composers?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
Interested in facts about the orchestra industry? Don’t know your arias from your overtures? Our guide will demystify the top classical music forms.Ever felt daunted by orchestral music? If you’ve never formally studied it, it can be hard to know where to start. What’s the difference between a symphony and a concerto? Who sings an aria? How many members are there in a chamber group?
W’re also keen to remind you that we’re a production music catalogue with orchestral music of every style imaginable – including action orchestral, horror orchestral, romantic orchestral and more. All of our high-quality orchestral tracks – composed by some of the best musicians in the world – are ready to be licensed for use worldwide, and can be used in anything from a podcast to an advertisement to a blockbuster. Without further ado, let’s get on with the guide.
Different Types Of Orchestral Music: Your Guide
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What Is Orchestral Music
Different Types of Orchestral Music/ Types of Symphony Genres
Classical Orchestra
Orchestral Pop
Orchestral Hip Hop
Electronic Orchestra
Orchestral Jazz
The Top Types of Orchestral Music
Overture
Symphonic Poem
Symphony
Concerto
Ballet
Opera
Types of Opera
Chamber Music
Types of Chamber music
What Is Orchestral Music?
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Simply put, orchestral music is music created by an ensemble of instruments called – you guessed it – an orchestra. Instruments from different families come together to form the orchestra, which means you can expect to hear the sounds of string instruments, percussion instruments, brass instruments and woodwind instruments in an effective orchestral piece.
Typically, an orchestra usually consists of around 70-100 musicians, and these orchestras are often called symphony or philharmonic orchestras. The term philharmonic is made up of two Greek words: Philos which means ‘to love’ and harmonikos which means ‘harmony’.
If an orchestra consists of less than 50 musicians, the correct term for this type of orchestra is a chamber orchestra. In French, chamber means room, which makes sense considering an orchestra of this size would fit comfortably inside one room.
Is Orchestra a Genre?
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Although bands are commonly associated with rock music, you would not call a band a genre. The same goes for an orchestra: although orchestras are commonly associated with classical music, it is not appropriate to categorise orchestra as a genre. Also, like a band, an orchestra can embrace a wide variety of genres. Discover just five of those genres below.
Different Types of Orchestral Music / Types of Symphony Genres
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Classical Orchestra
Orchestral Pop
Orchestral Hip Hop
Electronic Orchestra
Orchestral Jazz
Classical Orchestra
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As mentioned above, the most recognised genre of orchestral music is classical orchestra music. Classical music follows traditional forms of making music. Strictly speaking, classical music describes music composed during the Classical period of 1750-1820. The most famous composers of this time were Mozart, Bach and Beethoven.
Orchestral Pop
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Orchestral pop is, quite simply, pop music that’s performed by an orchestra. Personally, the sub-genre reminds us of the most recent James Bond theme tunes – including Adele’s Skyfall, Sam Smith’s Writing on the Wall and Billie Eilish’s No Time to Die; but if you’re not a fan of the spy franchise, you may be more familiar with pop songs such as Clean Bandit’s Rather Be and Ariana Grande’s ghostin.
Orchestral Hip Hop
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When hip hop rhythms are created by an orchestra, the song can be categorised as orchestral hip hop. The sub-genre has been growing ever since the 90s, and has blessed us with anthems such as Coolio and L.V.’s Gangsta’s Paradise and Kanye West’s Flashing Lights.
Electronic Orchestra
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The electronic orchestra genre consists of compositions that are either performed by an orchestra and later manipulated electronically, or combine orchestral instruments with electronic instruments. One of the best examples of electronic orchestra music is Daft Punk’s score for Disney’s Tron Legacy that was created with an 85-piece orchestra and electronic instruments.
Orchestral Jazz
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The genesis of orchestral jazz dates back to New York City’s 1920s jazz scene. This structured style of jazz is created when an orchestra embraces the rhythms of New Orleans jazz whilst sticking to their European practices. This genre is comparable to the sounds of another sub-genre of jazz, big band jazz.
The Top Types of Orchestral Music
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Now that we’ve covered the basics, We’re going to look at the top types of orchestral music, including:
Overture
Symphonic Poem
Symphony
Concerto
Ballet
Opera
Chamber Music
For an instant overview, check out our ultimate classcal playlist, which features a range of the best orchestral pieces by celebrated composers.
The Overture
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In the earliest days of music being performed, the overture signalled when the audience should take their seats (much as the bell being rung in the concert hall does today). Now, the overture is usually a musical work’s orchestral introduction – the word comes from the French, ouverture, or ‘opening’.
Lully’s form became known as the ‘French overture’. Alessandro Scarlatti was the originator of the ‘Italian overture’; it’s in three sections from quick, to slow, and back to quick, and served as a model for the earliest, three movement, symphonies.
Later operatic overtures helped to prepare the audience for the play’s plot; merging the music into the opening act, instead of closing before the curtain rises was a technique that Wagner used in his later operas, such as Tristan und Isolde.
Concert overtures became established in the 19th century as independent, one-movement works, the first of which is generally regarded as Felix Mendelssohn’s A Midsummer Night’s Dream (1826); his overture The Hebrides – also known as Fingal’s Cave – is another celebrated example of the form.
The Symphonic Poem
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In the 1850s, the concert overture began to be overtaken by the symphonic poem. This was a form devised by Franz Liszt in works that began as overtures. As a form, it was taken up by more ‘progressive’ composers, such as Camille Saint-Saens, Richard Strauss and Arnold Schoenberg.
The Czech composer Smetana was one of the great proponents of the symphonic poem. His set of six, published under the title of Ma Vlast is agreed to be his best. Composed between 1872 and 1879, the cycle presents selected episodes and ideas from Czech history.
Symphony
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Loosely, a ‘symphony orchestra’ is a large group of string, brass, woodwind and percussion players – so a work written for this kind of ensemble is known as a symphony. These large-scale orchestral works are intended to be played in concert halls and are usually in four movements.
The standard classical form is:
First movement – allegro (brisk and lively) in sonata form
Second movement – slower and more lyrical
Third movement – an energetic minuet (a dance)
Fourth movement – allegro – a rollicking finale, to show off the orchestra’s prowess
The Sonata Form
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The sonata has two musical themes, or melodies – the first, usually loud and forceful; the second, quiet and lyrical. The first theme is introduced and then the softer second theme comes in – as this section’s purpose is to expose the two melodies, it’s known as the ‘exposition’.
The ‘development’ follows – the composer varies and makes musical associations between the two themes.
Finally, the main themes are restated in a slightly different form in the ‘recapitulation’ section.
For great examples of piano sonatas, listen to Beethoven’s Moonlight sonata, or Mozart’s Sonata in C, or explore the fantastic symphonic collection.
Concerto
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The concerto features a solo instrument – such the piano, violin, flute or cello – and an orchestra, showcasing what they can do both independently and together. Concertos have three movements – fast, slow, fast.
Finally, the main themes are restated in a slightly different form in the ‘recapitulation’ section.
Ballet
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For dramatic orchestral music, look no further than the best ballet scores. Tchaikovsky’s Swan Lake (1876) was a game-changer in terms of ballet music, as it marked the first time an exclusively symphonic composer had composed a ballet score. Prokofiev’s Romeo and Juliet is another ballet that you might know as much for its music as its dance moves. A suite is usually a selection of short movements taken from a ballet – what would the festive period be without a performance of The Nutcracker Suite?
Opera
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If you’re looking for intense orchestral music, then opera has plenty to choose from. The difference between an opera and a musical is that operas are generally entirely sung, while musicals combine singing with spoken dialogue. Most agree that Monteverdi was the ‘founding father’ of opera, and his L’Orfeo (c1607) ranks as the first great opera. For dramatic intensity, look to Verdi’s Rigoletto or perhaps his most performed work, La Traviata, which contains all the elements of operatic drama: a beautiful, fallen-woman heroine, grand party scenes, a troubled father and a deathbed scene.
Opera songs are known as arias, many of which have been used over the years commercially and in films.
Popular Operas
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‘O Mio Babbino Caro’, Giani Scicci, Puccini
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‘O Mio Babbino Caro‘ (Oh My Dear Papa) is a emotional soprano aria from Puccini’s Giani Scicci sung by young protagonist Lauretta, who is begging her Father to help her get married to the lover of her life, Rinuccio. This piece has earned wide acclaim for its emotional effect, just see for yourself this two-year old getting emotional whilst listening to Puccini:
‘La donna è mobile’, Rigoletto, Verdi
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‘La donna è mobile’, from one of Verdi’s most popular operas, Rigoletto. This canzone is often thought to be the centrepiece of the opera, occurring at a turning point in a much-loved story of deceit, love lust and desire. Musical themes established in the short ‘La donna è mobile’ repeat throughout the opera, driving the tale forward.
‘Habanera‘,Carmen, George Bizets
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Habanera from Carmen – also known as ‘Love is a Rebellious Bird’ is an aria sung by the lovestruck femme fatale title character. Carmen sings how ‘Love is a rebellious bird that none can tame’.
Types of Opera
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Opera Seria
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Opera Seria is an Italian term that literally translates into ‘serious opera’; naturally, this refers to the weighty, humourless type of operas that were popular during the 1700s such as Mozart’s Idomeneo and Vivaldi’s L’Olimpiade. Apart from being serious, an Opera Seria is defined by its lack of spoken dialogue, emphasis on grand vocals and tragic or heroic narrative.
Opera Buffa
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Opera Buffa is the Italian term for ‘funny opera’, a type of opera that’s also known as ‘comic opera’. An Opera Buffa is usually more grounded than an Opera Seria and therefore features relatable characters and an everyday plot. Examples include Menotti’s Amelia Goes to the Ball, Bizet’s Don Procopio and Ristori’s Calandro.
Opera Semiseria
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As you may have suspected, Opera Semiseria is the Italian phrase for ‘semi-serious opera’. It is a midway point between an Opera Seria and Opera Buffa that became popular during the 1800s; it combines emotion with humour to keep an audience entertained. Famous examples of Opera Semiseria include Donizetti’s Linda di Chamounix, Bellini’s Adelson e Salvini and Paer’s Leonora.
Opera Comique
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French opera style Opera Comique alternates between spoken dialogue and musical numbers – much like a modern-day musical. This type of opera shares its name with a Parisian theatre which was founded under the reign of Louis XIV in 1714. Although its name seems to suggest that this type of opera is always comedic, some of the most famous operas are in fact tales of tragedy – take Bizet’s Carmen, for example.
Chamber music is composed for smaller ensembles of instruments – as it was originally intended to be played in a ‘chamber’ at home. The standard arrangement of instruments for chamber music include the string quartet (two violins, a viola and a cello) and a woodwind ensemble, often accompanied by a piano or harpsichord.
Historical Chamber Music is inspired by the era in which chamber orchestras had their inception – during the medieval period. Often, a chamber orchestra would be accompanied by a folk singer who would sing over the rustic rhythms created by the musicians. Our collection of historical chamber tracks includes Ian Hughes’ Courtesans, Royal Consent and Gloriana, all of which you can find over on our Orchestral, Small Ensemble, Historical page.
Elegant Chamber
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Elegant Chamber Music is thoughtful and soothing: it combines the transportive sounds of the world’s most angelic instruments and vocals to create a touching composition. Frequently optimistic, music of this style is used in media projects to cause the listener to reflect on the narrative. Our collection of Elegant Chamber Music features eight beautiful tracks composed by Gallant, Meegan, Tobin and Kelly, including New World, Butterfly Dream and Lullaby for Dolly.
Light, Playful Chamber
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Chamber orchestras are ideal for performing light, playful compositions that are suitable for use in fairytales, comedies, romances and other jocund genres. The sprightly rhythms of this style of Chamber Music evokes images of mythical creatures, friendly beings, sweet animals and enchanted settings. Our collection of Robert Bruce’s Light, Playful Chamber Ensembles includes pieces named Applause, Applause, Clockwork and Ladies in Waiting.
Classical Chamber
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Chamber orchestras are ideal for performing light, playful compositions that are suitable for use in fairytales, comedies, romances and other jocund genres. The sprightly rhythms of this style of Chamber Music evokes images of mythical creatures, friendly beings, sweet animals and enchanted settings. Our collection of Robert Bruce’s Light, Playful Chamber Ensembles includes pieces named Applause, Applause, Clockwork and Ladies in Waiting.
How to License the Best Orchestral Music
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Looking to license orchestral music? This can sometimes be a challenge because of sound recording copyright.
Audio Network, however, has a huge variety of specially recorded orchestral music, from chamber music to full symphony orchestras, which is simple and fast to license. The breadth of classical music means that you can find the perfect track for any sort of content:
Epic orchestral music – with everything from thrilling action featuring urgent strings and soaring brass to majestic and poignant memorials, go epic to create blockbusters and superhero soundtracks or trailers.
Dramatic orchestral music, with high-octane percussion, heroic brass and triumphant choirs is ideal for soundtracking those huge, edge-of-the-seat moments to wow your audience on both the small and big screen
Intense orchestral music comes into its own when you’re building the atmosphere and tension for horror movies.
Or check out Wagner’s Ride of the Valkyries, as it was used to spine-tingling effect in Francis Ford Coppola’s Apocalypse Now.
Need Music for Your Project?
At Audio Network we create original music, of the highest quality, for broadcasters, brands, creators, agencies and music fans everywhere. Through clear and simple licensing, we can offer you a huge variety of the best quality music across every conceivable mood and genre. Find out how we can connect you with the perfect collaborator today by clicking the button below!
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